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Views from the Choir Loft

PDF Download • “Hymn to Christ the King” (SATB)

Jeff Ostrowski · March 29, 2021

NTIL POPE PIUS XI instituted the feast of Christ the King (in 1925, the jubilee year), the KINGSHIP OF CHRIST was traditionally celebrated on the Epiphany and on Palm Sunday. Indeed, the 1961 Ordo Hebdomadae Sanctae says for Palm Sunday: Nihil impedit, quominus cantetur a fidelibus hymnus Christus vincit, vel alius cantus in honorem Christi Regis. Translated into English, that means: “The faithful may also sing the hymn CHRISTUS VINCIT or any other chant in honor of Christ the King.” Yesterday—which was Palm Sunday—we sang a Hymn to Christ the King called Te Saeculorum Principem. We used the harmonies from the Brébeuf hymnal, and the mood of this melody was just perfect for Palm Sunday. A literal English translation is included:

*  PDF Download • Te Sæculorum Principem (SATB)
—Using the Hymn Tune of “Notre Dame” with Brébeuf harmonies.

In this recording from yesterday, you can hear a baby crying:

The fifth verse of “Te Saeculorum Principem” is particularly beautiful:

For this art Thou concealed
on the altar by the form of
bread and wine, pouring forth
salvation upon Thy children
from Thy pierced heart.

Number 753 in the Brébeuf hymnal is “Te Saeculorum Principem,” with a wonderful English translation by Father Fitzpatrick.

Below you will find five (5) rare translations of “Te Saeculorum Principem”—and these can be sung to the “Notre Dame” tune above.

(1)  English Translation • Stanbrook Benedictines

(2)  English Translation • Monsignor Henry

(3)  English Translation • Alan McDougall

(4)  English Translation • Father Fitzpatrick

(5)  English Translation • Walter Shewring

The translation by Shewring is also #143 in the London Oratory Hymn Book.

Our recessional yesterday was “Vexilla Regis Prodeunt” (sung in English), which is Number 529 in the Brébeuf hymnal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Palm Sunday Extraordinary Form, Te Saeculorum Principem Last Updated: October 5, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

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  • “Hybrid” Chant Notation?
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  • Urgent! • We Desperately Need Funds!
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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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