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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Hymn to Christ the King” (SATB)

Jeff Ostrowski · March 29, 2021

NTIL POPE PIUS XI instituted the feast of Christ the King (in 1925, the jubilee year), the KINGSHIP OF CHRIST was traditionally celebrated on the Epiphany and on Palm Sunday. Indeed, the 1961 Ordo Hebdomadae Sanctae says for Palm Sunday: Nihil impedit, quominus cantetur a fidelibus hymnus Christus vincit, vel alius cantus in honorem Christi Regis. Translated into English, that means: “The faithful may also sing the hymn CHRISTUS VINCIT or any other chant in honor of Christ the King.” Yesterday—which was Palm Sunday—we sang a Hymn to Christ the King called Te Saeculorum Principem. We used the harmonies from the Brébeuf hymnal, and the mood of this melody was just perfect for Palm Sunday. A literal English translation is included:

*  PDF Download • Te Sæculorum Principem (SATB)
—Using the Hymn Tune of “Notre Dame” with Brébeuf harmonies.

In this recording from yesterday, you can hear a baby crying:

The fifth verse of “Te Saeculorum Principem” is particularly beautiful:

For this art Thou concealed
on the altar by the form of
bread and wine, pouring forth
salvation upon Thy children
from Thy pierced heart.

Number 753 in the Brébeuf hymnal is “Te Saeculorum Principem,” with a wonderful English translation by Father Fitzpatrick.

Below you will find five (5) rare translations of “Te Saeculorum Principem”—and these can be sung to the “Notre Dame” tune above.

(1)  English Translation • Stanbrook Benedictines

(2)  English Translation • Monsignor Henry

(3)  English Translation • Alan McDougall

(4)  English Translation • Father Fitzpatrick

(5)  English Translation • Walter Shewring

The translation by Shewring is also #143 in the London Oratory Hymn Book.

Our recessional yesterday was “Vexilla Regis Prodeunt” (sung in English), which is Number 529 in the Brébeuf hymnal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Palm Sunday Extraordinary Form, Te Saeculorum Principem Last Updated: October 5, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (13 December 1564)

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