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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

PDF Download • “Hymn to Christ the King” (SATB)

Jeff Ostrowski · March 29, 2021

NTIL POPE PIUS XI instituted the feast of Christ the King (in 1925, the jubilee year), the KINGSHIP OF CHRIST was traditionally celebrated on the Epiphany and on Palm Sunday. Indeed, the 1961 Ordo Hebdomadae Sanctae says for Palm Sunday: Nihil impedit, quominus cantetur a fidelibus hymnus Christus vincit, vel alius cantus in honorem Christi Regis. Translated into English, that means: “The faithful may also sing the hymn CHRISTUS VINCIT or any other chant in honor of Christ the King.” Yesterday—which was Palm Sunday—we sang a Hymn to Christ the King called Te Saeculorum Principem. We used the harmonies from the Brébeuf hymnal, and the mood of this melody was just perfect for Palm Sunday. A literal English translation is included:

*  PDF Download • Te Sæculorum Principem (SATB)
—Using the Hymn Tune of “Notre Dame” with Brébeuf harmonies.

In this recording from yesterday, you can hear a baby crying:

The fifth verse of “Te Saeculorum Principem” is particularly beautiful:

For this art Thou concealed
on the altar by the form of
bread and wine, pouring forth
salvation upon Thy children
from Thy pierced heart.

Number 753 in the Brébeuf hymnal is “Te Saeculorum Principem,” with a wonderful English translation by Father Fitzpatrick.

Below you will find five (5) rare translations of “Te Saeculorum Principem”—and these can be sung to the “Notre Dame” tune above.

(1)  English Translation • Stanbrook Benedictines

(2)  English Translation • Monsignor Henry

(3)  English Translation • Alan McDougall

(4)  English Translation • Father Fitzpatrick

(5)  English Translation • Walter Shewring

The translation by Shewring is also #143 in the London Oratory Hymn Book.

Our recessional yesterday was “Vexilla Regis Prodeunt” (sung in English), which is Number 529 in the Brébeuf hymnal.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Palm Sunday Extraordinary Form, Te Saeculorum Principem Last Updated: October 5, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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