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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for March 2021

Corpus Christi Watershed · March 31, 2021

New Website! • “Restore The 1954 Holy Week”

We are pleased to observe how this site included our liturgical PDF files.

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Keven Smith · March 29, 2021

A Short Reflection for Holy Week: On Love

May these thoughts on selfless love encourage you to persevere through Holy Week.

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Jeff Ostrowski · March 29, 2021

PDF Download • “Hymn to Christ the King” (SATB)

Also included: Five (5) rare rhyming renderings into English.

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Jeff Ostrowski · March 29, 2021

29 March 2021 • FEEDBACK

“E.S.” in North Dakota writes: “I just wanted to take a moment to say THANK YOU for all the hard work you have put—and continue to put—into your wonderful website. In the past two years, my parish has moved from a little house basement into a brand new church and gone from a few families […]

Jeff Ostrowski · March 29, 2021

29 March 2021 • Condemned?

On Palm Sunday, the Passion was read. Immediately after mention is made of the betrayal by Judas, the Holy Eucharist is introduced. Is this not a condemnation of “Christians” who deny the Church teaching on the SANCTISSIMUM? Here is Matthew 26: And Judas that betrayed him, answering, said: “Is it I, Rabbi?” He saith to […]

Fr. David Friel · March 29, 2021

Vesting Prayers • Part 9 of 9

The Dalmatic

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Jeff Ostrowski · March 25, 2021

Never Released Before! • Unique Version of “O Sacred Head Surrounded” (SATB)

What is a Catholic Hymnal? How old are these hymns?

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Jeff Ostrowski · March 24, 2021

Liturgical Translation: Your Thoughts?

The National Association of Pastoral Musicians has created “liturgical” materials honoring Buddha and Darwin.

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Keven Smith · March 22, 2021

Hidden Gem: Crux Fidelis (attr. King John IV of Portugal)

I don’t know who really wrote this motet, but I do know it’s a soothing and highly accessible selection for Holy Week.

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Jeff Ostrowski · March 22, 2021

Church Music’s Best Kept Secret!

Here’s a 20-second audio clip (live) from yesterday. It’s the INTROIT from Passion Sunday, when the Gospel says Jesus “hid himself” because the crowds wanted to kill Him…after He said He was greater than Abraham. Our parish uses The Saint Jean de Brébeuf Hymnal for all sung Masses, and we cherish the choral supplement because […]

Jeff Ostrowski · March 20, 2021

“Glad Trad” vs. “Rad Trad”

We are called to do something very strange…

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Jeff Ostrowski · March 19, 2021

Saint Joseph + Baby Jesus In A Walker

This luscious manuscript was created about A.D. 1453 for a French Noblewoman.

Jeff Ostrowski · March 18, 2021

18 March 2021 • “Close To Death”

When it seemed Father Jean de Brébeuf and his companions were about to meet death on 28 October 1637, he wrote a letter to his superiors. Here’s an excerpt: “It is a singular favor that His Goodness gives us, to allow us to endure something for love of Him. Now it is that we consider […]

Veronica Moreno · March 17, 2021

Homeschooling & Consecration To Saint Joseph

The life I lead is not glamorous—nor do I feel like I am making a ‘big difference’ most days…

Jeff Ostrowski · March 17, 2021

PDF Download • My Favorite Gregorian Hymn

There are so many wonderful Gregorian hymns, but the “HYMN TO SAINT JOSEPH” is my favorite.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Giovanni Doni is known for having changed the name of note “Ut,” renaming it “Do.” He convinced his contemporaries to make the change by arguing that 1) “Do” is easier to pronounce than “Ut,” and 2) “Do” is an abbreviation for “Dominus,” the Latin word for the Lord, Who is the tonic and root of the world. There is much academic speculation that Giovanni Doni also wanted to imprint himself into musical canon in perpetuity because “Do” is also ulteriorly an abbreviation for his family name.

— Giovanni Battista Doni died in 1647AD

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