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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Translation: Your Thoughts?

Jeff Ostrowski · March 24, 2021

OME PEOPLE don’t like certain words. Each one of us has particular sensibilities, and that’s one reason hymn lyrics often change through the years. Some people believe they are singing “original” lyrics from certain hymnals, but they simply are not. For example: Hark! The Herald Angels Sing was originally Hark How All The Welkin Rings…but nobody sings that. In the famous hymn, SOUL OF MY SAVIOUR, a line is often altered: “Wash me, ye waters gushing from His Side.” People in countries like Australia detest the word “gushing”—which they believe sounds ugly—so they change it to “flowing.” This has nothing to do with Theology. In my opinion, certain words sound dingy, horse-and-buggy, and stale: “gloomy” and “bosom” and “strain” (meaning hymn) would be a few examples. Other words don’t belong in a hymnal because they’re ugly: “stomach” and “belly” are two examples. Some people are bothered by fake rhymes. I also worry about words like “wan” because people might mispronounce it. I think we should avoid using an excessive amount of words familiar only to the erudite, such as “surcease.”

Needless to say, many Catholics who suffer with heretical hymns would give anything to get rid of evil lyrics, even if that meant using flawed, predictable, or archaic language. The National Association of Pastoral Musicians—which is supposedly a Roman Catholic organization—has created “liturgical” materials which honor Buddha and Darwin.

By the way, not all Mediaeval poetry was excellent. Father Fortescue says: “Many hymns of the Middle Ages are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist.”

What do you think of this translation? It’s for Terribilis Est Locus Iste, a famous Introit:

I understand what it means, and it worked 215 years ago…but I don’t think it works these days.

On the other hand, maybe that Introit—“This place is awful!”—would have been be appropriate for the 18 February 2021 dedication of this brand new Roman Catholic Chapel of San Juan García College in Spain:

We emailed them to make sure this is a Catholic Chapel. Sadly, it is.

The Father Lasance hand-missal sometimes translates prayers in an interesting way. Father Lasance uses the word “winking,” which we have discussed. And check this out:

We heap Thine altars
with gifts, O Lord,
celebrating with
fitting honor…

The publisher of a major Catholic hymnal once told me she will never allow the word “womb” in any hymn lyrics. I personally have no problem with that word, but perhaps for her it was a medical term? I wonder what she would think of what Father Francis X. Lasance (d. 1946) did for 24 June, The Feast of the Nativity of Saint John the Baptist: “Before I formed thee in the bowels of thy mother…”

I would invite you to peruse an article of mine which explores this topic:

*  Should Hymn Lyrics Be Inordinately Archaic?
—An article by Jeff Ostrowski, posted 11 November 2020.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Francis Xavier Lasance, Heretical GIA Hymns, Terribilis Est Locus Iste Last Updated: March 25, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the The Ascension of the Lord—“Festum Ascensionis Domini”—which is transferred to 17 May 2026 in our diocese. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (“Ascéndit Deus in jubilatióne”) is particularly beautiful and the ENTRANCE CHANT is simply splendid. As always, readers may go directly to the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

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