Views from the Choir Loft

New Monthly Companion for the Extraordinary Form

Fr. David Friel · February 14, 2021

OR MANY years, the monthly Magnificat magazine has served as a popular “hand-missal” for Mass-goers in the Ordinary Form of the Roman Rite. At once high-quality and disposable, this publication has a wide readership and has been instrumental in the spiritual growth of many people. Their work is a blessing to the Church (and has been highlighted on Views from the Choir Loft here and here).

Beginning in August 2021, something similar will be available for the Extraordinary Form of the Roman Rite. Entitled Benedictus, this will be an undertaking of Sophia Institute Press, produced in consultation with various English-speaking priests and theologians.

Readers may recall that there was a previous attempt at this type of monthly publication for the Extraordinary Form, entitled Laudamus Te, which seems to have failed due to an insufficient number of subscribers. Hopefully Sophia Institute Press will be able to make a more successful go of it.

The new Benedictus booklet promises to include much more than the daily Mass texts. It will also feature:

Morning and Evening Devotions (excerpts from Lauds & Vespers of the 1960 Breviarium Romanum)

Daily Meditations (writings from saints, scholars, and spiritual masters)

Commentary (short essays on feasts & saints)

Classic Prayers (devotional prayers in Latin & English)

Artwork (a high-quality print and separable holy card in each issue)

Catholic Culture (poetry, prose, music)

A sample issue of Benedictus is available for viewing here.

Surely there will be naysayers who question the value of such a publication when a plethora of single-volume, traditional hand-missals already exists. There is much to be said in favor of quality hand-missals that can be used year after year, but there is also something to be said for this sort of monthly magazine. Benedictus has the potential to serve as an accessible introduction for newcomers to the Extraordinary Form, a source for timely resources designed to support the domestic Church, and even a tool for evangelization.

The cost for Benedictus is just $5/month. Subscriptions are available here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Job Opening • $65,000 per year +

A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!

—Jeff Ostrowski

“Reminder” — Month of November (2025)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

“Offertory” at Catholic Funerals

I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!

—Jeff Ostrowski

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski