Views from the Choir Loft

Passing on Tradition

Fr. David Friel · April 25, 2021

The Greater Litanies & the Meaning of Liturgical Processions

Processing is one way in which we express who we are as wayfarers en route to heaven.

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Fr. David Friel · February 14, 2021

New Monthly Companion for the Extraordinary Form

“Benedictus: The Traditional Catholic Companion” is an initiative of Sophia Institute Press.

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Fr. David Friel · September 23, 2016

Dunwoodie Sponsors New Sacred Music Conference

“Gregorian Chant in Pastoral Ministry and Religious Education” — March 10 & 11, 2017

Fr. David Friel · July 24, 2016

Priestly Musical Formation in a Low Mass Culture

Reflections from Dr. Jennifer Donelson at Sacra Liturgia UK

Fr. David Friel · May 1, 2016

Regina Chesterton Academy

A Classical Education Track for Catholic High School Students

Fr. David Friel · March 6, 2016

Parish Lenten Programs • 15 Suggestions

Simply adhering to the liturgical traditions of the Church would be a wonderful Lenten program for every parish.

Fr. David Friel · November 23, 2015

An Extraordinary Event: NCYC 2015

Traditional Mass offered at National Catholic Youth Conference

Fr. David Friel · July 27, 2015

The Church of Our Savior

And the Case of the Vanishing Icons

Fr. David Friel · June 28, 2015

In Memoriam: Dr. Lucy E. Carroll, DMA

Lucy was a friend and mentor to me, and I would like to share with you a little bit of her story.

Fr. David Friel · March 15, 2015

The Future of the Pipe Organ

“The manifold possibilities of the organ remind us of the immensity and the magnificence of God.” (Pope Benedict XVI)

Fr. David Friel · October 19, 2014

Revitalizing Our Missionary Spirit

Celebrating Saint Isaac Jogues & Companions

Fr. David Friel · July 13, 2014

The “Children’s Liturgy of the Word”

Are We Past This Yet?

Richard J. Clark · June 6, 2014

Rebellion in the Liturgy

Here is a truth of human nature: When we can’t have something we want it. When something is forced upon us, we often reject it.

15th Sunday in Ordinary Time (Year C)

This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.

—Jeff Ostrowski

Music Director Job • $80,000 per year

Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!

—Jeff Ostrowski

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed