Views from the Choir Loft

Hymns for the Holy Name of Jesus

Andrea Leal · December 31, 2020

E ARE QUICKLY approaching the Feast of the Holy Name of Jesus this Sunday in the Extraordinary Form calendar. As many of us continue to face restrictions for our choirs (if they are allowed at all), I wanted to take a moment to share a series of chant hymns for the Feast of the Holy Name of Jesus that could be sung by a single cantor or by a very small group of singers. Although we can acknowledge that Gregorian chant is not ideally sung as a solo, there are times when it simply must be so, such as now.

I lifted these hymns straight out of the Franciscan Cantuale Romano-Seraphicum, which has an entire section dedicated to chants for the Holy Name of Jesus. Some of these hymns will be familiar, and others you’ve surely never set eyes on before today.

Gregorian Chant Hymns in Honor of the Holy Name of Jesus

I know that few people ever look in these rare Franciscan hymnals, so I thought I would dust some off for you since I have had the good fortune using them recently when we celebrated the Feast of St. Francis in the Extraordinary Form on October 4th. It has been a fascinating peek into these rare hymnals. Here is a clip of the gorgeous, joyous and uplifting Alleluia verse for that feast day. Another treasure was the rare sequence, Sanctitatis Nova Signa for the same feast, which I quickly recorded for the use of our Schola. I might have made a more careful recording of it had I known that this was going to end up being made public!

Resources for the Feast of St. Francis of Assisi (EF)

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About Andrea Leal

Andrea Leal is a wife and homeschooling mother of 6 children. She serves as choir director for the Traditional Latin Mass in Las Vegas.—(Read full biography).

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Communion Chant (5th Sunday of Easter)

This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.

—Jeff Ostrowski

“Music List” • 4th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)