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Views from the Choir Loft

PDF Download • “Midnight Mass Musical Plan” (2020)

Jeff Ostrowski · December 23, 2020

OMETHING WE HAVE tried to avoid on this blog is constant complaining about the way our government (and our Church) has reacted to Covid-19. The reason for this is simple: Complaining doesn’t solve anything. That being said, there is no question that Covid-19 has turned what’s already a difficult vocation into something even more precarious and arduous. Here in California, we’ve basically been ‘locked down’ since March. The Covid-19 restrictions have constantly been modified, sometimes on a weekly basis. For Christmas this year, our parish will have five Masses (whereas on Sundays, we have six Masses).

I am fearful to release our “musical program” for Midnight Mass; it’s rough with ugly formatting … but here goes:

*  PDF Download • MUSICAL PLAN (Midnight Mass)
—Rough document showing musical selections, with ancient manuscripts.

A friend of mine thought readers would enjoy seeing it, because I placed ancient manuscripts next to each piece, along with rehearsal videos.

Sacred Scripture is full of mysteries. Father Michael Irwin, FSSP, reminded us that the Bible says angels “sang” at the birth of Christ—but what precisely does that mean? Angels have no voices. According to Father Irwin, there is much we don’t understand about the Bible. Indeed, the Catholic Church Herself has never explained some of what is contained in the Book of Revelation. A very great fault—perhaps the greatest fault—of today’s theologians is an inability to say three words: “We don’t know.” In any event, God made known the Birth of Christ to shepherds; why shepherds? Precisely because shepherds were looked down upon; they were considered so “worthless” that the testimony of a shepherd was not accepted in court:

A Dutch manuscript from the 1400s shows the Nativity of Christ:

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Annunciation to Shepherds Last Updated: December 23, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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