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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The First Time We’ve Ever Done This Correctly!

Jeff Ostrowski · December 16, 2020

N THE HUNDREDTH anniversary of the publication of the Editio Vaticana GRADUAL, Jeffrey Tucker asked me if he could scan my personal copy, which I had purchased from Germany. In 2008, I published an article in the SACRED MUSIC MAGAZINE—which begins on page 21—explaining the melismatic moræ vocis. In my article, you’ll find the following sentence, which Jeffrey Tucker wrote:

“The Vatican Edition of the Graduale Romanum is now online. I’m happy to report that it is my personal copy that now resides on the CMAA server and is bringing this beautiful book—all 940 pages of it—to the world for the first time, and on its hundredth anniversary.”

Mr. Tucker insisted that I include his words, even though I felt they made me sound arrogant. In any event, if you look in that 1908 Graduale, you will notice how Abbot Pothier included a section called “De Ritibus Servandis In Cantu Missae.” I published an English translation of this document in January of 2017 (cf. Nine Rubrics for Mass in the Extraordinary Form). Here’s what Abbot Pothier says about singing the ALLELUIA:

Translated into English, that means: “If two Alleluias with a verse are to be sung, the first Alleluia is chanted by one or two voices up to the asterisk: the choir then repeats the Alleluia and adds the neume (or “jubilus”), drawing out the syllable “A.” The Cantors sing the Verse, which is completed in full chorus from the asterisk, as before. The Verse done, the Cantor or Cantors repeat the Alleluia, and the chorus adds the neume only.”

However, we never follow that. We always have the entire choir repeat the final Alleluia, from beginning to end. If you ask me why I don’t do it correctly, I don’t really have a good answer; we just don’t.

Here is how it’s supposed to be done:

On the feast of Our Lady of Guadalupe, we did it correctly for the first time ever!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: De Ritibus Servandis, melismatic morae vocis, Propers Our Lady Guadalupe Last Updated: December 17, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

The 1960s reformers had no chance of success since their goal was “recasting from top to bottom—and in a few months!—an entire liturgy which had required twenty centuries to develop.”

— Professor Louis Bouyer, close friend of Pope Saint Paul VI

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