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Views from the Choir Loft

(Ecuador) • Archbishop Poisoned on Good Friday

Jeff Ostrowski · December 2, 2020

HIS PHOTOGRAPH shows the (dead) Archbishop José Ignacio Checa y Barba, on his throne wearing full pontifical vestments:

We have mentioned abstruse rubrics in the past:

*  Revealed! • A Fascinating Mass Rubric Very Few Know
—Published on 7 September 2019.

…but there is another ceremony involving wine.

For pontifical Masses in the Extraordinary Form, there’s a rubric allowing an altar server to “taste” the wine to make sure it’s not poisoned. The archbishop of Quito’s murder was the last (documented) case of poisoning a bishop during the liturgy. He was 47 years old.

UITO IS THE CAPITAL of Ecuador. José Ignacio Checa y Barba was the Archbishop of Quito. Together with the president of Ecuador, they were the first in the world to devote their country to the Sacred Heart of Jesus. Archbishop Checa y Barba—in the past—had tended to remain aloof from all quarrels with the government, but things changed in 1877. On March 10, the archbishop issued a pastoral warning the faithful against heretical publications, and this angered the government, which protested on 12 March. Checa y Barba answered in a note of March 17, in which he “refused to give to Caesar what did not belong to Caesar.” A visit from Veintemilla on March 24 failed to change the archbishop’s mind.

On Good Friday (March 30) after consuming the SACRED HOST during the Mass of the Presanctified, the archbishop took some wine to purify the chalice. At the time, he remarked to the deacon on its bitter taste. He completed the services, but died amid horrible convulsions as soon as he returned to his palace. The autopsy revealed that he had been poisoned by strychnine. No one was ever punished for the crime.

Source: Polish Website

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: December 2, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

Recent Posts

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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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