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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Solemn Mass • Ruins of Saint Mary’s Cathedral (Nagasaki, 1949)

Jeff Ostrowski · November 10, 2020

ERY SOON, December 7th will be here. On that day in 1949, most Rev’d Paul Aijirō Yamaguchi, Archbishop of Nagasaki, celebrated a Solemn Pontifical Mass on the ruins of Saint Mary’s Cathedral in Nagasaki. This was in honor of the 400th anniversary of the arrival of Saint Francis Xavier in Japan and concluded with veneration of the right forearm—the arm he used to conduct blessings and baptisms—of Saint Francis Xavier (inside a reliquary). Father Xavier was a very important Catholic priest whom Father Valentine Young spoke about in one of his sermons.

Nagasaki remained largely devastated by the atomic blast of 1945. Its people were still dying—slowly—from radiation poisoning. Nevertheless, they wanted to honor Saint Francis Xavier, and somebody had a camera:

A different angle shows what is left of the Cathedral:

Here is yet another angle:

More photographs:

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Mass Outside Invalid?

Due to government restrictions, California has been “locked down” since March, and all our Masses are celebrated outside. A few weeks ago, someone on Facebook—who not surprisingly calls himself an ultra-traditionalist Catholic—was promoting the idea that all Masses offered outside are “invalid.” This theologian (self-proclaimed) even mockingly referred to outdoor Masses as “tent revivals.”

It would be good to remind everyone that, objectively speaking, the Holy Sacrifice of the Mass is of infinite value no matter where it’s offered: in a prison cell, outside under a tent, inside a church, and so forth. Indeed, Views from the Choir Loft for decades has been posting striking photos of the Mass celebrated outside. Saint Charles Garnier frequently offered the Holy Sacrifice of the Mass on a boat while traveling from France to Canada. By the way, Father Garnier died on 7 December 1649AD.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1949 Traditional Latin Mass Ruins Nagasaki, Mass During World War Last Updated: November 18, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

The “Nova Organi Harmonia” demanded from each of us an unusual commitment; we have dedicated to it the best of our energies. Would it be, therefore, presumptuous on our part to be satisfied with the result and to expect its welcome reception in the musical world?

— Msgr. Jules Van Nuffel (circa 1940)

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