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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Solemn Mass • Ruins of Saint Mary’s Cathedral (Nagasaki, 1949)

Jeff Ostrowski · November 10, 2020

ERY SOON, December 7th will be here. On that day in 1949, most Rev’d Paul Aijirō Yamaguchi, Archbishop of Nagasaki, celebrated a Solemn Pontifical Mass on the ruins of Saint Mary’s Cathedral in Nagasaki. This was in honor of the 400th anniversary of the arrival of Saint Francis Xavier in Japan and concluded with veneration of the right forearm—the arm he used to conduct blessings and baptisms—of Saint Francis Xavier (inside a reliquary). Father Xavier was a very important Catholic priest whom Father Valentine Young spoke about in one of his sermons.

Nagasaki remained largely devastated by the atomic blast of 1945. Its people were still dying—slowly—from radiation poisoning. Nevertheless, they wanted to honor Saint Francis Xavier, and somebody had a camera:

A different angle shows what is left of the Cathedral:

Here is yet another angle:

More photographs:

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Mass Outside Invalid?

Due to government restrictions, California has been “locked down” since March, and all our Masses are celebrated outside. A few weeks ago, someone on Facebook—who not surprisingly calls himself an ultra-traditionalist Catholic—was promoting the idea that all Masses offered outside are “invalid.” This theologian (self-proclaimed) even mockingly referred to outdoor Masses as “tent revivals.”

It would be good to remind everyone that, objectively speaking, the Holy Sacrifice of the Mass is of infinite value no matter where it’s offered: in a prison cell, outside under a tent, inside a church, and so forth. Indeed, Views from the Choir Loft for decades has been posting striking photos of the Mass celebrated outside. Saint Charles Garnier frequently offered the Holy Sacrifice of the Mass on a boat while traveling from France to Canada. By the way, Father Garnier died on 7 December 1649AD.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: 1949 Traditional Latin Mass Ruins Nagasaki, Mass During World War Last Updated: November 18, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski
    Funeral Music “Template” • For Families
    Many have requested the MUSICAL TEMPLATE for funerals we give to families at our parish. The family of the deceased is usually involved in selecting Number 12 on that sheet. This template was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English, and the assigned chants and hymns are given in different liturgical books (Lectionary, Gradual, Order of Christian Funerals, and so on). Please notify me if you spot errors or broken links. Readers will be particularly interested in some of the plainsong musical settings, which are truly haunting in their beauty.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

The claim that the bishop or the priest originally celebrated “versus populum” is a legend, which Otto Nussbaum (d. 1999) originally did a great deal to spread.

— Dr. Helmut Hoping (University of Freiburg)

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  • Funeral Music “Template” • For Families
  • “To Cover Sin With Smooth Names”

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