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Views from the Choir Loft

Archives for October 2020

Jeff Ostrowski · October 19, 2020

19 October 2020 • Feast of Father Brébeuf

When the young priest saw the burnt and bleeding body of his superior, aghast and trembling he spoke the words of St. Paul: “We are made a spectacle to the world, to angels and to men.”

Jeff Ostrowski · October 18, 2020

Dom Pothier • “To The Eyes And To The Ears”

For years, I couldn’t understand this business about “the eyes and the ears.” What did Pothier mean? Then it hit me. • Topics include Dom Joseph Pothier, the mora vocis, Abbot Pothier’s brother (Dom Alphonse Pothier), Dom Lucien David, Dom Paul Jausions, and a truly magnificent story about Pope Pius X and Abbot Pothier, which is essential reading+

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Richard J. Clark · October 16, 2020

Indispensable & Accessible: Fr. Samuel F. Weber Propers in English

Indispensable and accessible: these antiphons possess sublime elegance that grace the Novus Ordo Mass with simple, yet proper reverence and solemnity.

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Jeff Ostrowski · October 16, 2020

The “Mora Vocis” • What is that?

The “Pre-NOH” editions have quite an idiosyncratic way of lengthening the neumes. • Fulsome illustrations are included examining and explaining the mora vocis of the Vatican edition; also mentioned is Dom André Mocquereau, Rafael Cardinal Merry del Val, and Pothier’s Liber Gradualis (1883)+

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Jeff Ostrowski · October 14, 2020

13 October 2020 • Chopin talks Bach

My “pianist pedigree” goes from my teacher through Wiktor Łabuński through Felix Blumenfeld, who studied with Anton Rubinstein. I always considered myself part of the “Bach-Mozart-Chopin school” as opposed to the “Handel-Beethoven-Liszt school.” (Needless to say, there’s great overlap between these schools.) Before giving a concert, Frédéric Chopin would always shut himself up in a […]

Jeff Ostrowski · October 13, 2020

PDF Download • “Taste and see the goodness of the Lord” (Responsorial Psalm)

Including a written tutorial on how to perform Chabanel Psalms correctly.

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Jeff Ostrowski · October 13, 2020

12 October 2020 • True Story

Before a Low Mass, the priest ascends the Altar to place the Chalice, check the altar Missal, and do other “preparing” tasks. The organist must be prepared to play here, and—depending upon the priest—this can be of surprising length! For certain priests, I can easily play all six verses of a hymn while he’s doing […]

Keven Smith · October 13, 2020

How to Stay Prayerful as a Church Musician

It all boils down to recollection. This 39-page book will help. (And so will one weird trick with your computer, as the clickbaiters would say.)

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Jeff Ostrowski · October 12, 2020

“Homily for the 20th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

I think we can learn something from this pagan official.

Jeff Ostrowski · October 12, 2020

Catholic Architecture • “Modern vs. Ancient”

A picture is worth 1,000 words…

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Fr. David Friel · October 12, 2020

Sacred Music Boot Camp 2020

Three days of practical chant instruction and immersion in the treasury of Catholic sacred music

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Dr. Charles Weaver · October 10, 2020

“Arranging Polyphony for One Voice” • (Live Rec.)

When faced with restrictions on the size of the choir, history suggests that we can adapt music for smaller groups, including groups with only one singer.

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Jeff Ostrowski · October 9, 2020

Photo • Archbishop Fulton J. Sheen

…praying the holy rosary with his office staff.

Jeff Ostrowski · October 8, 2020

PDF Download • Communion Antiphon (Mt 16:24) with Organ Accompaniment

To give you an idea how this sounds, I recorded the piece on my toy organ.

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Christopher Mueller · October 6, 2020

(Installment #10) “Catholic Hymnals” • Chris Mueller

Father Rutler makes five crucial points.

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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