Views from the Choir Loft

PDF Download • “Mass Propers for Weekdays, Commons, and Saints” (1,294 pages)

Corpus Christi Watershed · October 22, 2020

T IS NOW possible to download the PDF file versions of the collections of Propers by Father Samuel Weber: Volume 2, Volume 3, and Volume 4. Dr. Horst Buchholz (Cathedral Basilica of Saint Louis) has written: “I highly recommend this new English Gradual to anyone who wants to sing the proper antiphons on a regular basis and is looking for very accessible, yet most beautiful chant in the vernacular. We cannot thank Fr. Samuel Weber enough for all his hard work, a true labor of love and dedication to liturgy and the Church. I am most confident that this new Gradual will become a standard work and hopefully find a home in many parishes.”

Direct links are given in addition to those by Father David Voss:

*  PDF Download • Volume 2 (497 pages)
Entrance, Offertory and Communion Antiphons for Weekdays of the Temporal Cycle
—The link by Father David Voss is here.

*  PDF Download • Volume 3 (797 pages)
Entrance, Offertory and Communion Antiphons for The Proper and Common of Saints
—The link by Father David Voss is here.

*  PDF Download • Volume 4 (40+ pages)
For Ritual Masses
—The link by Father David Voss is here.

Additional Links:

Maestro Richard J. Clark recently wrote an article about Father Samuel Weber’s works, which highlights the fact that free organ accompaniments are available:

* PDF Download • Organ Accompaniments
—Article by Richard J. Clark.

Father Columba Kelly has published musical settings of the SACRAMENTARY PROPERS (“Spoken Propers”) that are free to download:

* URL Link • Father Columba Kelly, OSB
—Free plainsong settings by Father Columba Kelly.

In 2015, Corpus Christi Watershed published a “first look” of Volume 1 by Father Samuel Weber.

Also in 2015, Corpus Christi Watershed published an overview of Volume 1 by Father Samuel Weber.

A series on Fr. Weber’s Book of Propers:

Part 1 • Andrew Motyka

Part 2 • Richard Clark

Part 3 • Veronica Brandt

Part 4 • Fr. David Friel

Part 5 • Andrew Leung

Part 6 • Dr. Lucas Tappan

Part 7 • Jeff Ostrowski

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

“Equal Voices” Choir Pieces

My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!

—Jeff Ostrowski

Typo in the “Missale Romanum” (1962)

The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]

—Jeff Ostrowski

“Music List” • 30th in Ordinary Time (Year C)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI