Views from the Choir Loft

Indispensable & Accessible: Fr. Samuel F. Weber Propers in English

Richard J. Clark · October 16, 2020

N INDISPENSABLE resource and gift to the Church is the comprehensive work of Rev. Samuel F. Weber O. S. B. In 2014 Ignatius Press published his Proper of the Mass. More recently, he has published additional volumes including Propers for Weekdays, Proper and Common for the Saints, and for Christian Initiation:

• Volume II: Proper of the Mass – Entrance, Offertory, and Communion Antiphons for Weekdays of the Temporal Cycle • Click here to download

• Volume III : Proper of the Mass – Entrance, Offertory, and Communion Antiphons for Proper Commons of Saints • Click here to download.

• Volume IV: Proper of the Mass – Entrance, Offertory, and Communion Antiphons for the Conferral of the Sacraments of Christian Initiation Click here to download.

MORE ASTONISHING is that they are available for FREE at Fr. Weber’s website: Sacred Music US. There is so much on this website that it is perhaps overwhelming at first. It is a treasure-trove!

ORGAN ACCOMPANIMENTS

In addition, he offers organ accompaniments. Although handwritten, they are clear and easy to read. This offers an opportunity for those not as familiar with chant notation to access the abundance Fr. Weber has offered. You may download the complete organ accompaniments (2,502 pages!) here.

These three volumes are especially useful for daily Mass. Often there are multiple options for each antiphon that range from Solemn to more simple, to a simple psalm tone. This too accommodates a range of abilities, rehearsal time, and preference. The antiphons possess sublime elegance that grace the Novus Ordo Mass with simple, yet proper reverence and solemnity. These are clearly rooted in the traditions of Gregorian Chant, as one will recognize myriad chant formulae.

While Fr. Weber’s work has become a staple at the Cathedral of the Holy Cross and at St. John’s Seminary in Boston, this music is truly for every parish. He makes singing the propers at Mass easy to access both musically and financially.

While Fr. Weber is generous in offering free downloads, I find the hard volumes to be most useful and easier to navigate on a daily basis. Please support his extraordinary work!

Thank you, Fr. Weber!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Follow the Discussion on Facebook

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF • “Cantus Mariales” (192 pages)

Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”

—Jeff Ostrowski

Music List • (2nd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

Extreme Unction

Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.

—Corpus Christi Watershed

PDF Chart • “Plainsong Rhythm”

I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”

—Jeff Ostrowski

PDF • “O Come All Ye Faithful” (Simplified)

I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.

—Jeff Ostrowski