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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Famous Italian Actor Regrets Aborting Son

Jeff Ostrowski · October 1, 2020

NDREA RONCATO is an Italian actor, comedian and television personality. He aborted his son approximately 30 years ago. He now opposes abortion: “I miss having a child. It was the mistake of my life. When I was very young, I had the chance to become a father, to have a child…but I had him aborted. Now, I’ve become very strongly against abortion. I even wrote a book for this child who was never born, which I called: I Would Have Liked You.”

Here are a few lines from a poem he wrote to the child he murdered so long ago:

I would have liked you to be small, so I could hug you.

I would have liked you to be big, so I could lean on you.

I would have liked you to be looking out the window in winter, watching the snow begin to fall.

I would have liked you to be lying under the covers during a storm, silent so you could hear the sound of the rainfall.

I would have liked you to be kind to dogs, so you could pet them, and affectionate with the elderly, so you could love them.

I would have liked to sing to you, to make you fall asleep, and continue the dream that woke you up.

I would have liked you to be at my side, so the two of us could walk in silence, trying to understand what the other was thinking inside and couldn’t manage to say.

I would have liked to teach you all the things I don’t know how to do.

I would have liked you to leave someday, so I could have the pleasure of seeing you come back home.

I would have liked you near me on the day I must leave this world.

Paolo Antônio Briguet, a Brazilian journalist, also regrets aborting his child. He wrote this letter:

Dear Son,

Today, you would be turning 27 years old, if I had allowed you to be born. Each day is born, flowers are born, the morning star is born […] but you were not born, through my fault, my most grievous fault.

Your mother, who today lives in far-off lands, really hesitated. A doctor that we knew tried to dissuade us from that fateful idea—now I see clearly he was an angel of God—but we refused to be moved. I even got angry at that friend, for saying “no” to the crime that I was about to commit. Oh, how I would like to go back in time and say to him, “Thank you, doctor! Thank you! You are going to be this baby’s godfather.”

But time machines don’t exist; they aren’t part of the structure of our reality. The only way we have to travel in time […] is our own soul. In those days, however, I didn’t believe in the existence of the soul. I was crazy, crazy with egoism and vanity.

You were just waiting to see the light, my son; however, what came was darkness. I denied you the morning, the afternoon, the night, the dawn, water, heat, cold, books, symphonies, poems, friendship, the bridge in our city, the smell of rain falling on the earth, lullabies, bread and wine. I denied you smiles and tears. I denied you eyes, hands, a heart. I denied you the right to cry out in the darkness, “Mom!” I denied you the right to be born. The only thing I didn’t deny you, was that which I could not: The Passion of the Resurrection. That already belonged to you. If only I had known. If only I had known that it hurts. If only I had known that it hurts so much, son. I was your Herod.

I write these words at the distance of a quarter of a century, but it seems as if my sin (my crime) had been committed yesterday. Your goodbye is omnipresent, your presence is an eternal goodbye in my life. Yes, the wound was cured by the hands of the merciful doctor, but the scar is so great that it fills my whole soul. I am the scar of my sin. Look: everything I do is an act of reparation. One day I hope to meet you, son. According to Saint Thomas Aquinas, all of us will be reborn at the age of Christ. Today, somewhere in the universe, you exist at the age of 33. You have a name, a face, and a voice that are unknown to me. Sometimes I wonder who you would have been: a doctor, an engineer, a musician, a mathematician, a philosopher, a professor, a priest, a worker, a carpenter? How you would love your youngest half-brother, born so many years later! It doesn’t matter now, son. Your profession will always be to be born. On the day we meet, my son—after leaving behind the sorrow of this life—I will hold your hands in mine, and hug you with all my strength. And you already know what my first words will be: “Forgive me.” Son, sometimes I think that you exist to forgive me. That’s the only way I would be able to contemplate the face of God. And so, every day for me is the day of the unborn child. Every day is the day.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: October 2, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

Recent Posts

  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?
  • Little Encouragement?
  • Children’s Repertoire • Mueller’s Recommendations

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