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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Saint Edmund Arrowsmith Mass”

Jeff Ostrowski · July 14, 2020

ODAY IS THE FOURTH installment, which can also be called penultimate, meaning “second from the last.” (In Latin, the accent often falls on the penultimate syllable.) You might remember that I received a telephone call from a musician I deeply respect—from a different country—who strongly encouraged me to release my Mass settings. This ended up requiring tons more effort than I realized, and I would never undertaken such a project without his encouragement. (I generally have a very low opinion of my productions.)

Today’s release is a Mass in honor of SAINT EDMUND ARROWSMITH, an English Catholic priest who was put to death for his faith. He became a martyr approximately 20 years before another Jesuit, Saint Isaac Jogues, became a martyr.

*  PDF Download • ORGAN ACCOMPANIMENT
—Including organ accompaniment for the new ICEL “Our Father” melody.

*  PDF Download • Congregational Booklet
—Make sure to select “double sided” when printing.

You can see the other Masses I’ve released if you click here.

“Glory To God” sung SATB

In this time of Covid-19, some congregations are being encouraged not to sing. It might be worth considering singing the ARROWSMITH GLORIA as an SATB piece. If you want to do that, use this score. All my Masses use a careful—almost obsessive—control over dissonance and consonance, so they sound good SATB. Here’s an example of what I mean:


A choir which attempts this piece SATB must have great sensitivity and a strong (pure) soprano section. The piece is “free” rhythm.

SATB Training Video SOPRANO:  (VIDEO)   •   (Mp3 audio)
SATB Training Video ALTO:  (VIDEO)   •   (Mp3 audio)
SATB Training Video TENOR:  (VIDEO)   •   (Mp3 audio)
SATB Training Video BASS:  (VIDEO)   •   (Mp3 audio)

Rehearsal Videos • Saint Edmund Arrowsmith Mass

Approximately ten years ago, I created some rehearsal videos—and I’m not pleased with the results—but they’re the only ones available at this time:

KYRIE: (rehearsal video)

GLORIA: (rehearsal video)

SANCTUS: (rehearsal video)

“Mystery of Faith”—1st option: (rehearsal video)

“Mystery of Faith”—2nd option: (rehearsal video)

GREAT AMEN: (rehearsal video)

AGNUS DEI: (rehearsal video)

Here are some images of Saint Edmund Arrowsmith (d. 1628)

77333-Saint-Edmund-Arrowsmith-D
77333-Saint-Edmund-Arrowsmith-C
77333-Saint-Edmund-Arrowsmith-B
77333-Saint-Edmund-Arrowsmith-A
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Cantor Plus Organist, Pieces For Small Choirs, Roman Missal Third Edition Last Updated: January 11, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

After sixty years as teacher, composer, and organist, I may state that the Gregorian Chant should be part of the basic material of any musical education, be it religious or secular. The study of it enormously enlarges the spiritual background of any musician. Whereas students in literature will always be required to study Dante, Petrarch and Chaucer, why neglect Gregorian in music education?

— Flor Peeters

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