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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Saint Edmund Arrowsmith Mass”

Jeff Ostrowski · July 14, 2020

ODAY IS THE FOURTH installment, which can also be called penultimate, meaning “second from the last.” (In Latin, the accent often falls on the penultimate syllable.) You might remember that I received a telephone call from a musician I deeply respect—from a different country—who strongly encouraged me to release my Mass settings. This ended up requiring tons more effort than I realized, and I would never undertaken such a project without his encouragement. (I generally have a very low opinion of my productions.)

Today’s release is a Mass in honor of SAINT EDMUND ARROWSMITH, an English Catholic priest who was put to death for his faith. He became a martyr approximately 20 years before another Jesuit, Saint Isaac Jogues, became a martyr.

*  PDF Download • ORGAN ACCOMPANIMENT
—Including organ accompaniment for the new ICEL “Our Father” melody.

*  PDF Download • Congregational Booklet
—Make sure to select “double sided” when printing.

You can see the other Masses I’ve released if you click here.

“Glory To God” sung SATB

In this time of Covid-19, some congregations are being encouraged not to sing. It might be worth considering singing the ARROWSMITH GLORIA as an SATB piece. If you want to do that, use this score. All my Masses use a careful—almost obsessive—control over dissonance and consonance, so they sound good SATB. Here’s an example of what I mean:


A choir which attempts this piece SATB must have great sensitivity and a strong (pure) soprano section. The piece is “free” rhythm.

SATB Training Video SOPRANO:  (VIDEO)   •   (Mp3 audio)
SATB Training Video ALTO:  (VIDEO)   •   (Mp3 audio)
SATB Training Video TENOR:  (VIDEO)   •   (Mp3 audio)
SATB Training Video BASS:  (VIDEO)   •   (Mp3 audio)

Rehearsal Videos • Saint Edmund Arrowsmith Mass

Approximately ten years ago, I created some rehearsal videos—and I’m not pleased with the results—but they’re the only ones available at this time:

KYRIE: (rehearsal video)

GLORIA: (rehearsal video)

SANCTUS: (rehearsal video)

“Mystery of Faith”—1st option: (rehearsal video)

“Mystery of Faith”—2nd option: (rehearsal video)

GREAT AMEN: (rehearsal video)

AGNUS DEI: (rehearsal video)

Here are some images of Saint Edmund Arrowsmith (d. 1628)

77333-Saint-Edmund-Arrowsmith-D
77333-Saint-Edmund-Arrowsmith-C
77333-Saint-Edmund-Arrowsmith-B
77333-Saint-Edmund-Arrowsmith-A
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Cantor Plus Organist, Pieces For Small Choirs, Roman Missal Third Edition Last Updated: January 11, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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  • PDF Download • “Pange Lingua” in Simple (Contemporary) Polyphony for Three Voices

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