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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Saint Edmund Arrowsmith Mass”

Jeff Ostrowski · July 14, 2020

ODAY IS THE FOURTH installment, which can also be called penultimate, meaning “second from the last.” (In Latin, the accent often falls on the penultimate syllable.) You might remember that I received a telephone call from a musician I deeply respect—from a different country—who strongly encouraged me to release my Mass settings. This ended up requiring tons more effort than I realized, and I would never undertaken such a project without his encouragement. (I generally have a very low opinion of my productions.)

Today’s release is a Mass in honor of SAINT EDMUND ARROWSMITH, an English Catholic priest who was put to death for his faith. He became a martyr approximately 20 years before another Jesuit, Saint Isaac Jogues, became a martyr.

*  PDF Download • ORGAN ACCOMPANIMENT
—Including organ accompaniment for the new ICEL “Our Father” melody.

*  PDF Download • Congregational Booklet
—Make sure to select “double sided” when printing.

You can see the other Masses I’ve released if you click here.

“Glory To God” sung SATB

In this time of Covid-19, some congregations are being encouraged not to sing. It might be worth considering singing the ARROWSMITH GLORIA as an SATB piece. If you want to do that, use this score. All my Masses use a careful—almost obsessive—control over dissonance and consonance, so they sound good SATB. Here’s an example of what I mean:


A choir which attempts this piece SATB must have great sensitivity and a strong (pure) soprano section. The piece is “free” rhythm.

SATB Training Video SOPRANO:  (VIDEO)   •   (Mp3 audio)
SATB Training Video ALTO:  (VIDEO)   •   (Mp3 audio)
SATB Training Video TENOR:  (VIDEO)   •   (Mp3 audio)
SATB Training Video BASS:  (VIDEO)   •   (Mp3 audio)

Rehearsal Videos • Saint Edmund Arrowsmith Mass

Approximately ten years ago, I created some rehearsal videos—and I’m not pleased with the results—but they’re the only ones available at this time:

KYRIE: (rehearsal video)

GLORIA: (rehearsal video)

SANCTUS: (rehearsal video)

“Mystery of Faith”—1st option: (rehearsal video)

“Mystery of Faith”—2nd option: (rehearsal video)

GREAT AMEN: (rehearsal video)

AGNUS DEI: (rehearsal video)

Here are some images of Saint Edmund Arrowsmith (d. 1628)

77333-Saint-Edmund-Arrowsmith-D
77333-Saint-Edmund-Arrowsmith-C
77333-Saint-Edmund-Arrowsmith-B
77333-Saint-Edmund-Arrowsmith-A
Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Cantor Plus Organist, Pieces For Small Choirs, Roman Missal Third Edition Last Updated: January 11, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

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  • PDF Download • “Quasi Modo Sunday”
  • ‘German’ Introductions for Hymns

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