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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Just how Tridentine are you?” • Quiz by GIA Publications

Jeff Ostrowski · July 8, 2020

NE OF MY TEACHERS used to frequently exclaim: “Sometimes what goes without saying needs to be said.” I often need a joke clearly explained to me, otherwise I won’t get it. On the other hand, when I read certain articles it’s easy for me to read between the lines—in other words, I can deduce somebody’s opinion by the choice of language. I doubt any of our readers need to be reminded that “he who controls the language controls the argument.” In 2004, GIA Publications published a quiz written by Fred Moleck. Do you see the “code words” Mr. Moleck uses to subtly attack the Traditional Latin Mass? I have placed several in red ink:

Who still has the knowledge and capability to celebrate a Tridentine solemn high Mass without going to a dozen different sources for rubrics and repertory? I devised a little self-examining checklist to see if you are equipped to rehearse and perform the music that the Tridentine rite needs to recapture the masses of yesteryear with full understanding of the choreography of the sacred drama unfolding in front of our very eyes. You see why so many folks bemoan the fact that, since the Mass went into English, we’ve lost so much of the mystery. Guess what? The mystery is still there, but it’s not in a foreign tongue, and it’s a ritual that makes very clear where one is in the worship chain.

Notice how many silly errors Fred Moleck makes in this quiz:

*  PDF Quiz • “Just how Tridentine are you?” (GIA Publications)

For instance, Fred Moleck thinks it is called “Asperge me, Domine” (wrong). Fred Moleck is wrong when he asks: “On what important feast is the Agnus Dei omitted?” He meant to say Holy Saturday but got confused and said Holy Thursday. Fred Moleck is wrong about the posture during the singing of the Gloria and Credo (although he is partially correct). Fred Moleck is also wrong about the posture during “Et incarnatus est.”

Today is the 13th Anniversary of the announcement of Summorum Pontificum. (It would take effect on 14 September.) God is good; we have much to be thankful for. And Fred Moleck’s “quiz” is even goofier now than it was in 2004!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Heretical GIA Hymns, Summorum Pontificum Last Updated: July 7, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“The creed at baptism may be said in either Greek or Latin, at the convert’s discretion, according to the Gelasian Sacramentary.”

— Father Adrian Fortescue

Recent Posts

  • A Practical Method of Projecting Solfege for Chant
  • PDF Downloads • Four (4) Simple Pieces in Harmony for Men’s Choirs
  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?

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