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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Just how Tridentine are you?” • Quiz by GIA Publications

Jeff Ostrowski · July 8, 2020

NE OF MY TEACHERS used to frequently exclaim: “Sometimes what goes without saying needs to be said.” I often need a joke clearly explained to me, otherwise I won’t get it. On the other hand, when I read certain articles it’s easy for me to read between the lines—in other words, I can deduce somebody’s opinion by the choice of language. I doubt any of our readers need to be reminded that “he who controls the language controls the argument.” In 2004, GIA Publications published a quiz written by Fred Moleck. Do you see the “code words” Mr. Moleck uses to subtly attack the Traditional Latin Mass? I have placed several in red ink:

Who still has the knowledge and capability to celebrate a Tridentine solemn high Mass without going to a dozen different sources for rubrics and repertory? I devised a little self-examining checklist to see if you are equipped to rehearse and perform the music that the Tridentine rite needs to recapture the masses of yesteryear with full understanding of the choreography of the sacred drama unfolding in front of our very eyes. You see why so many folks bemoan the fact that, since the Mass went into English, we’ve lost so much of the mystery. Guess what? The mystery is still there, but it’s not in a foreign tongue, and it’s a ritual that makes very clear where one is in the worship chain.

Notice how many silly errors Fred Moleck makes in this quiz:

*  PDF Quiz • “Just how Tridentine are you?” (GIA Publications)

For instance, Fred Moleck thinks it is called “Asperge me, Domine” (wrong). Fred Moleck is wrong when he asks: “On what important feast is the Agnus Dei omitted?” He meant to say Holy Saturday but got confused and said Holy Thursday. Fred Moleck is wrong about the posture during the singing of the Gloria and Credo (although he is partially correct). Fred Moleck is also wrong about the posture during “Et incarnatus est.”

Today is the 13th Anniversary of the announcement of Summorum Pontificum. (It would take effect on 14 September.) God is good; we have much to be thankful for. And Fred Moleck’s “quiz” is even goofier now than it was in 2004!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Heretical GIA Hymns, Summorum Pontificum Last Updated: July 7, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

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