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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Society of Saint Bede” • Free Liturgical Resources

Jeff Ostrowski · June 18, 2020

ELOW is a website I recently discovered. It is called Society of Saint Bede and offers free liturgical resources. I have not been able to locate any information about who creates the website, but it seems to have been created in the United Kingdom. I prefer when websites provide information about who is “behind the curtain”—such as what Corpus Christi Watershed provides at the ABOUT US website. Maybe someday, the Saint Bede people will reveal more about themselves, but until such time I don’t wish to speculate. 1

*  PDF Download • “Society of St Bede” • Free Liturgical Resources

From what I can tell, the website has been around since 2012. They seem to provide some very useful “out of the ordinary” things, such as a Booklet for First Vespers of the Immaculate Conception. They also re-typeset rare examples of plainsong which I have never heard of, such as this hymn to the Blessed Virgin Mary, including an English translation. In a certain sense, the people at the Saint Bede website seem to be in “spiritual union” with the Brébeuf hymnal, inasmuch as they seem to spend a lot of time writing out each verse of hymns, such as they did for the beautiful hymn called Præclara Custos Virginum. For myself, I am not a fan of the artwork they have on their page, but Father Valentine used to say: de gustibus non est disputandum (“About taste let there be no dispute”).

They include a copy of Jesu Nostra Redemptio, a beautiful hymn featured prominently in the Saint Jean de Brébeuf Hymnal. If you notice, they claim to have access to a “1909 Liber Usualis.” If that is true, I would love to see that book—because I don’t believe the Antiphonale Romanum had been released in 1909.

 


NOTES FROM THIS ARTICLE:

1   I’ve seen other major websites where certain people consider themselves “detectives”—and they attempt to use Google (and other sources) to ascertain who’s behind certain projects. They make all sorts of mistakes, and they have absolutely no right to proceed in such a manner; it’s contemptible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Gregorian Chant Last Updated: June 18, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

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