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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 17 Organ Accompaniments for the simple “Salve Regina”

Jeff Ostrowski · June 4, 2020

TARTING this Saturday night, we no longer sing “Regina Cæli”—instead, we switch back to “Salve Regina.” That’s because FIRST VESPERS always happens the night before the Feast in question. (TRINITY SUNDAY is this coming Sunday, so “First Vespers” of Trinity Sunday happens on Saturday night.) The Salve Regina has a haunting “Solemn tone,” but most people sing the Simple tone. Veronica Brandt posted both versions in 2017.

The Nova Organi Harmonia website contains the “solemn” tone—but what about the “simple” tone? Here are organ accompaniments you might want to explore:

*  PDF Download • Version 1 (Jeff Ostrowski)
—Jeff tried to make this 2011 version as simple as humanly possible.

*  PDF Download • Simple Version [in C-Major]
—Jeff tried to make this 2011 version as simple as humanly possible.

*  PDF Download • Version 2 (Father Green)
—Father Andrew Green, OSB, assisted Father Herman Koch with a 1942 hymnal.

*  PDF Download • Version 3 (Father Rossini)
—Father Carlo Rossini had a long career at Saint Paul’s Cathedral (Pittsburgh, Pennsylvania).

*  PDF Download • Version 4 (Dom Desrocquettes DM)
—D Major Version • Dom Jean-Hébert Desroquettes was organist at Solesmes Abbey.

*  PDF Download • Version 5 (Dom Desrocquettes CM)
—C Major Version • Dom Jean-Hébert Desroquettes was organist at Solesmes Abbey.

*  PDF Download • Version 6 (Dom Murray)
—Dom Andrew Gregory Murray was organist at Downside Abbey.

*  PDF Download • Version 7 (Trappist Monk)
—A Trappist monk wrote this circa 1950.

*  PDF Download • Version 8 (Dr. Marier)
—Dr. Theodore Marier published this version in 1953.

*  PDF Download • Version 9 (Bragers DM)
—D Major Version • Achille P. Bragers studied at the Lemmens Institute (Belgium).

*  PDF Download • Version 10 (Bragers Eb)
—Eb Major Version • Achille P. Bragers studied at the Lemmens Institute (Belgium).

*  PDF Download • Version 11 (Giulio Bas)
—Julius Bas was engaged by Solesmes Abbey to compose accompaniments for the entire Editio Vaticana.

*  PDF Download • Version 12 (Henri Potiron)
—Henri Potiron was choirmaster of Sacred Heart Basilica (Paris) and taught at the Gregorian Institute.

Additional Versions:

*  PDF Download • Malton Boyce (1914)

*  PDF Download • Nicola A. Montani (1920s)

*  PDF Download • Dom Jean Hébert Desrocquettes (unknown)

*  PDF Download • Father Percy Jones (1952)

*  PDF Download • Dr. Eugène Lapierre (1953)

*  PDF Download • Professor Patrick Russill (1998)
—Reproduced by kind permission of the Trustees of the London Oratory.

Note: The excellent accompaniment
by Professor Russill comes from
The Catholic Hymn Book
(Gracewing—Fowler Wright).

*  PDF Download • Dr. Auguste Le Guennant (1914)
—Dr. Guennant (d. 1972) replaced Dom Gajard at the “Gregorian Institute of Paris”.

*  PDF Download • Professor Joseph Renner (1915)
—Joseph Renner (1868-1934) succeeded Joseph Hanisch (d. 1892) at Regensburg Cathedral

*  PDF Download • FATHER ALOYSIUS KNAUFF (1954)

I’m thinking of assembling organ accompaniments for all four Marian antiphons (Alma Redemptoris Mater; Ave Regina Caelorum; Regina Caeli; Salve Regina); please let me know—in the Facebook combox—if you would appreciate such a post. Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: French Vs German Trochee, Gregorian Chant Accompaniments, Marian Antiphons Gregorian, salve regina, Salve Regina Organ Accompaniment, Trochee Trouble Last Updated: December 13, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Although some may not understand what is being sung, they understand why it is being sung, that is, for the praise of God, and this is enough, even if the faithful do not strictly speaking sing in order to rouse their devotion.”

— Saint Thomas Aquinas

Recent Posts

  • Is this what the new “Youth Mass” looks like?
  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”

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