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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 17 Organ Accompaniments for the simple “Salve Regina”

Jeff Ostrowski · June 4, 2020

TARTING this Saturday night, we no longer sing “Regina Cæli”—instead, we switch back to “Salve Regina.” That’s because FIRST VESPERS always happens the night before the Feast in question. (TRINITY SUNDAY is this coming Sunday, so “First Vespers” of Trinity Sunday happens on Saturday night.) The Salve Regina has a haunting “Solemn tone,” but most people sing the Simple tone. Veronica Brandt posted both versions in 2017.

The Nova Organi Harmonia website contains the “solemn” tone—but what about the “simple” tone? Here are organ accompaniments you might want to explore:

*  PDF Download • Version 1 (Jeff Ostrowski)
—Jeff tried to make this 2011 version as simple as humanly possible.

*  PDF Download • Simple Version [in C-Major]
—Jeff tried to make this 2011 version as simple as humanly possible.

*  PDF Download • Version 2 (Father Green)
—Father Andrew Green, OSB, assisted Father Herman Koch with a 1942 hymnal.

*  PDF Download • Version 3 (Father Rossini)
—Father Carlo Rossini had a long career at Saint Paul’s Cathedral (Pittsburgh, Pennsylvania).

*  PDF Download • Version 4 (Dom Desrocquettes DM)
—D Major Version • Dom Jean-Hébert Desroquettes was organist at Solesmes Abbey.

*  PDF Download • Version 5 (Dom Desrocquettes CM)
—C Major Version • Dom Jean-Hébert Desroquettes was organist at Solesmes Abbey.

*  PDF Download • Version 6 (Dom Murray)
—Dom Andrew Gregory Murray was organist at Downside Abbey.

*  PDF Download • Version 7 (Trappist Monk)
—A Trappist monk wrote this circa 1950.

*  PDF Download • Version 8 (Dr. Marier)
—Dr. Theodore Marier published this version in 1953.

*  PDF Download • Version 9 (Bragers DM)
—D Major Version • Achille P. Bragers studied at the Lemmens Institute (Belgium).

*  PDF Download • Version 10 (Bragers Eb)
—Eb Major Version • Achille P. Bragers studied at the Lemmens Institute (Belgium).

*  PDF Download • Version 11 (Giulio Bas)
—Julius Bas was engaged by Solesmes Abbey to compose accompaniments for the entire Editio Vaticana.

*  PDF Download • Version 12 (Henri Potiron)
—Henri Potiron was choirmaster of Sacred Heart Basilica (Paris) and taught at the Gregorian Institute.

Additional Versions:

*  PDF Download • Malton Boyce (1914)

*  PDF Download • Nicola A. Montani (1920s)

*  PDF Download • Dom Jean Hébert Desrocquettes (unknown)

*  PDF Download • Father Percy Jones (1952)

*  PDF Download • Dr. Eugène Lapierre (1953)

*  PDF Download • Professor Patrick Russill (1998)
—Reproduced by kind permission of the Trustees of the London Oratory.

Note: The excellent accompaniment
by Professor Russill comes from
The Catholic Hymn Book
(Gracewing—Fowler Wright).

*  PDF Download • Dr. Auguste Le Guennant (1914)
—Dr. Guennant (d. 1972) replaced Dom Gajard at the “Gregorian Institute of Paris”.

*  PDF Download • Professor Joseph Renner (1915)
—Joseph Renner (1868-1934) succeeded Joseph Hanisch (d. 1892) at Regensburg Cathedral

*  PDF Download • FATHER ALOYSIUS KNAUFF (1954)

20 October 2025:r

*  PDF Download • GERMAN ACCOMPANIMENT

I’m thinking of assembling organ accompaniments for all four Marian antiphons (Alma Redemptoris Mater; Ave Regina Caelorum; Regina Caeli; Salve Regina); please let me know—in the Facebook combox—if you would appreciate such a post. Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: French Vs German Trochee, Gregorian Chant Accompaniments, Marian Antiphons Gregorian, salve regina, Salve Regina Organ Accompaniment, Trochee Trouble Last Updated: October 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The old Roman rite had the offering by the people and then, as offertory-prayer, what we call the “Secret.” The name “Secreta” means that it was said in a low voice, because the offertory-psalm was being sung. For the same reason it is not preceded by “Oremus.”

— Father Adrian Fortescue

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