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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 17 Organ Accompaniments for the simple “Salve Regina”

Jeff Ostrowski · June 4, 2020

TARTING this Saturday night, we no longer sing “Regina Cæli”—instead, we switch back to “Salve Regina.” That’s because FIRST VESPERS always happens the night before the Feast in question. (TRINITY SUNDAY is this coming Sunday, so “First Vespers” of Trinity Sunday happens on Saturday night.) The Salve Regina has a haunting “Solemn tone,” but most people sing the Simple tone. Veronica Brandt posted both versions in 2017.

The Nova Organi Harmonia website contains the “solemn” tone—but what about the “simple” tone? Here are organ accompaniments you might want to explore:

*  PDF Download • Version 1 (Jeff Ostrowski)
—Jeff tried to make this 2011 version as simple as humanly possible.

*  PDF Download • Simple Version [in C-Major]
—Jeff tried to make this 2011 version as simple as humanly possible.

*  PDF Download • Version 2 (Father Green)
—Father Andrew Green, OSB, assisted Father Herman Koch with a 1942 hymnal.

*  PDF Download • Version 3 (Father Rossini)
—Father Carlo Rossini had a long career at Saint Paul’s Cathedral (Pittsburgh, Pennsylvania).

*  PDF Download • Version 4 (Dom Desrocquettes DM)
—D Major Version • Dom Jean-Hébert Desroquettes was organist at Solesmes Abbey.

*  PDF Download • Version 5 (Dom Desrocquettes CM)
—C Major Version • Dom Jean-Hébert Desroquettes was organist at Solesmes Abbey.

*  PDF Download • Version 6 (Dom Murray)
—Dom Andrew Gregory Murray was organist at Downside Abbey.

*  PDF Download • Version 7 (Trappist Monk)
—A Trappist monk wrote this circa 1950.

*  PDF Download • Version 8 (Dr. Marier)
—Dr. Theodore Marier published this version in 1953.

*  PDF Download • Version 9 (Bragers DM)
—D Major Version • Achille P. Bragers studied at the Lemmens Institute (Belgium).

*  PDF Download • Version 10 (Bragers Eb)
—Eb Major Version • Achille P. Bragers studied at the Lemmens Institute (Belgium).

*  PDF Download • Version 11 (Giulio Bas)
—Julius Bas was engaged by Solesmes Abbey to compose accompaniments for the entire Editio Vaticana.

*  PDF Download • Version 12 (Henri Potiron)
—Henri Potiron was choirmaster of Sacred Heart Basilica (Paris) and taught at the Gregorian Institute.

Additional Versions:

*  PDF Download • Malton Boyce (1914)

*  PDF Download • Nicola A. Montani (1920s)

*  PDF Download • Dom Jean Hébert Desrocquettes (unknown)

*  PDF Download • Father Percy Jones (1952)

*  PDF Download • Dr. Eugène Lapierre (1953)

*  PDF Download • Professor Patrick Russill (1998)
—Reproduced by kind permission of the Trustees of the London Oratory.

Note: The excellent accompaniment
by Professor Russill comes from
The Catholic Hymn Book
(Gracewing—Fowler Wright).

*  PDF Download • Dr. Auguste Le Guennant (1914)
—Dr. Guennant (d. 1972) replaced Dom Gajard at the “Gregorian Institute of Paris”.

*  PDF Download • Professor Joseph Renner (1915)
—Joseph Renner (1868-1934) succeeded Joseph Hanisch (d. 1892) at Regensburg Cathedral

*  PDF Download • FATHER ALOYSIUS KNAUFF (1954)

20 October 2025:r

*  PDF Download • GERMAN ACCOMPANIMENT

I’m thinking of assembling organ accompaniments for all four Marian antiphons (Alma Redemptoris Mater; Ave Regina Caelorum; Regina Caeli; Salve Regina); please let me know—in the Facebook combox—if you would appreciate such a post. Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: French Vs German Trochee, Gregorian Chant Accompaniments, Marian Antiphons Gregorian, salve regina, Salve Regina Organ Accompaniment, Trochee Trouble Last Updated: October 20, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Perhaps he had too much sense of humour to be altogether a great man: he lacked pomposity.”

— Msgr. Ronald Knox writing about Father Adrian Fortescue

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