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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 17 Organ Accompaniments for the simple “Salve Regina”

Jeff Ostrowski · June 4, 2020

TARTING this Saturday night, we no longer sing “Regina Cæli”—instead, we switch back to “Salve Regina.” That’s because FIRST VESPERS always happens the night before the Feast in question. (TRINITY SUNDAY is this coming Sunday, so “First Vespers” of Trinity Sunday happens on Saturday night.) The Salve Regina has a haunting “Solemn tone,” but most people sing the Simple tone. Veronica Brandt posted both versions in 2017.

The Nova Organi Harmonia website contains the “solemn” tone—but what about the “simple” tone? Here are organ accompaniments you might want to explore:

*  PDF Download • Version 1 (Jeff Ostrowski)
—Jeff tried to make this 2011 version as simple as humanly possible.

*  PDF Download • Simple Version [in C-Major]
—Jeff tried to make this 2011 version as simple as humanly possible.

*  PDF Download • Version 2 (Father Green)
—Father Andrew Green, OSB, assisted Father Herman Koch with a 1942 hymnal.

*  PDF Download • Version 3 (Father Rossini)
—Father Carlo Rossini had a long career at Saint Paul’s Cathedral (Pittsburgh, Pennsylvania).

*  PDF Download • Version 4 (Dom Desrocquettes DM)
—D Major Version • Dom Jean-Hébert Desroquettes was organist at Solesmes Abbey.

*  PDF Download • Version 5 (Dom Desrocquettes CM)
—C Major Version • Dom Jean-Hébert Desroquettes was organist at Solesmes Abbey.

*  PDF Download • Version 6 (Dom Murray)
—Dom Andrew Gregory Murray was organist at Downside Abbey.

*  PDF Download • Version 7 (Trappist Monk)
—A Trappist monk wrote this circa 1950.

*  PDF Download • Version 8 (Dr. Marier)
—Dr. Theodore Marier published this version in 1953.

*  PDF Download • Version 9 (Bragers DM)
—D Major Version • Achille P. Bragers studied at the Lemmens Institute (Belgium).

*  PDF Download • Version 10 (Bragers Eb)
—Eb Major Version • Achille P. Bragers studied at the Lemmens Institute (Belgium).

*  PDF Download • Version 11 (Giulio Bas)
—Julius Bas was engaged by Solesmes Abbey to compose accompaniments for the entire Editio Vaticana.

*  PDF Download • Version 12 (Henri Potiron)
—Henri Potiron was choirmaster of Sacred Heart Basilica (Paris) and taught at the Gregorian Institute.

Additional Versions:

*  PDF Download • Malton Boyce (1914)

*  PDF Download • Nicola A. Montani (1920s)

*  PDF Download • Dom Jean Hébert Desrocquettes (unknown)

*  PDF Download • Father Percy Jones (1952)

*  PDF Download • Dr. Eugène Lapierre (1953)

*  PDF Download • Professor Patrick Russill (1998)
—Reproduced by kind permission of the Trustees of the London Oratory.

Note: The excellent accompaniment
by Professor Russill comes from
The Catholic Hymn Book
(Gracewing—Fowler Wright).

*  PDF Download • Dr. Auguste Le Guennant (1914)
—Dr. Guennant (d. 1972) replaced Dom Gajard at the “Gregorian Institute of Paris”.

*  PDF Download • Professor Joseph Renner (1915)
—Joseph Renner (1868-1934) succeeded Joseph Hanisch (d. 1892) at Regensburg Cathedral

*  PDF Download • FATHER ALOYSIUS KNAUFF (1954)

You can download the “Salve Regina” organ accompaniment by Father Gabriel Aloysius Knauff (d. 1962) taken from the “Christ the King Hymnal” (1954) as a landscape version (PDF).

20 October 2025:r

*  PDF Download • GERMAN ACCOMPANIMENT

I’m thinking of assembling organ accompaniments for all four Marian antiphons (Alma Redemptoris Mater; Ave Regina Caelorum; Regina Caeli; Salve Regina); please let me know—in the Facebook combox—if you would appreciate such a post. Thank you!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles, PDF Download Tagged With: French Vs German Trochee, Gregorian Chant Accompaniments, Marian Antiphons Gregorian, salve regina, Salve Regina Organ Accompaniment, Trochee Trouble Last Updated: March 2, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Gloria, Credo, etc., may not be broken into detached fragments; it is wrong to omit or hurry over the Proper of the day; it is not permitted to substitute organ playing for the Proper; it is wrong to use, however briefly, themes from theatrical or dance music, from popular songs, love-songs, comic songs; drums, cymbals, piano, bag-pipes are too noisy for Church use .”

— Pope Leo XIII (25 September 1884))

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