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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Post-Pandemic Liturgy

Wilfrid Jones · May 15, 2020

As the Scottish historian Sir Tom Devine once joked, “the future is not my period”, but having just read Amy Welborn’s pithy article in Medium, it seemed worth sharing her observation with our readers.

  • No touching. Noli me tangere: not yet taken as an episcopal motto, but one for us all to adopt. Since offertory processions involve touching the sacred vessels, perhaps it will suffice for the priest to have the chalice and ciborium (if there is one) on the altar from the start of mass and the liturgical actions at the offertory could be enriched by the offertory antiphon.
  • No shared Sign of Peace. And with its suspension, perhaps also the permanent disappearance of the “song of peace” that still persists in some places before the Agnus Dei. Perhaps in the Church’s wisdom, this was one reason that the pax took a more ceremonial form until the liturgical reform in the first place.
  • No congregational singing. Meaning the need to rediscover the true liturgical participation which liturgical singing symbolises and promotes. It also gives us the opportunity to rediscover the proper antiphons which can enter into a dialogue with the other scripture readings casting light upon particular themes and drawing connections between them.
  • So any music should be provided by a choir or cantor. Meaning a greater need for an aesthetic of beauty now that the alternative, an aesthetic of “participation”, is not possible (a false binary, but an operative one).
  • People should be super cautious about receiving Communion. At least that isn’t new.
  • No Communion from the shared chalice for the congregation. As one Dominican student brother has observed: communion under one kind but only in the hand, so no one is happy. That said, with fewer people going to communion, the short antiphon from the Graduale Romanum or Graduale Parvum in Latin or English would seem a more appropriate length than a hymn.
  • Maybe even the priest should think about wearing a mask. Or better still, face in the same direction as the congregation to absolutely minimize contagion. Since he will have to do a lot of the singing to make up for the lack of congregational chanting, this will be particularly important.
  • No socializing before or after Mass. Though choir coffee will doubtless continue via Zoom/FaceTime even when the parousia comes.

All in all, if ever there was a time for a less busy, more contemplative, less wordy, more beautiful liturgy, that time is now. In this precedented time, let’s use the precedents already established by the Church to join in her worship of God and “never let a crisis go to waste.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: May 16, 2020

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About Wilfrid Jones

Wilfrid Jones is a PhD student in the theology faculty of the Albert-Ludwigs University of Freiburg, studying the theology and practice of sacred music.—(Read full biography).

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President’s Corner

    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“I left music college swearing never to write another note again … It was during the mid-1980s when esoteric and cerebral avant-garde music was still considered the right kind of music to be writing.”

— James MacMillan

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