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Views from the Choir Loft

What a young Father Morales wrote for Charles V

Jeff Ostrowski · April 2, 2020

Y TEACHER knew Robert Murrell Stevenson (d. 2012) personally, because Roger Wagner (d. 1992) was very close to Stevenson. Stevenson taught at UCLA, and Wagner was director of Choral Activities at UCLA. My teacher also knew Monsignor Higinio Anglès (d. 1969)—and they spoke together in German, since both were fluent in German. Stevenson did much of his research in South America and Central America, whereas Anglès (from Catalonia) did much of his research in Rome. Anglès produced the complete works (“Opera Omnia”) of Cristóbal de Morales.

Stevenson (d. 2012) tells the fascinating story of this motet by the young Father Morales:

Father Morales wrote his 6-voice motet (“Jubilate Deo omnis terra”) for the June 1538 peace celebrations at Nice. It was at this Riviera haven that Pope Paul III finally succeeded in persuading Charles V and Francis I to conduct a peace parley. Convinced that music might somehow soothe the principals to a peace treaty, Pope Paul III brought along twenty of his own singers: all richly garbed in new velvet cassocks and silk surplices (the cost of these sumptuous garments having been paid for out of his private discretionary funds). Morales’s motet evidently made the desired impression, if its long-continuing popularity after the peace conference is accepted as sufficient evidence. The printing of the vocal parts—first at Lyons in 1542 and then at Venice in 1549—testify to the continuing popularity of a cantata that can have been conceived originally as no more than an occasional composition.

Nobody knows who made this recording!

…but it might have been Roger Wagner:


Translation:

“Rejoice in the Lord, all ye lands; sing joyfully; rejoice and tell His praises. For, through the mediaton of Pope Paul III, CHARLES V (Carolus) and Francis I (those kings of vast domains) have agreed to unite; and peace descends from Heaven. —— O happy age, O happy Paul, O ye happy princes who have delivered peace to the Christian people. Long live Paul! Long live Charles! Long live Francis! Long may they live together, and may they give us peace for ever!”

I prefer this old recording—but there are plenty of modern recordings available if you don’t like it.

Here’s my question: What if peace had not been concluded? Would the composition have gone to waste?

Here is an example of how the Part Books looked.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: April 3, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Both of these appointments—of Cardinal Lercaro and Father Bugnini—to key positions on the Consilium made it possible for voices to be heard that could not be heard during the proceedings of the Council, and likewise silenced others.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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