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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Of Weddings, Funerals and other Comedies

Dr. Gregory Hamilton · January 18, 2020

VERYONE who has done music in a church probably has a number of wedding or funeral stories. Sometimes when church musicians gather at a coffee shop (or more likely a bar) to shoot the breeze, such stories can come up. Recently I played organ for a funeral at a church I had never been to. Like a good Catholic boy, I arrived 45 min. before the funeral. I spoke to a Deacon about how we could turn on the sound system. The chat went something like this:
“Hello Deacon Jim, do you know how to turn on the sound system?”
“I have no idea”
“How long have you been a deacon here?”
“27 years.”
“…OK”
I thought that it would be a great idea to speak to the priest about whether the Responsorial Psalm would be sung by us, whether the Ordinary parts of the Mass would be sung etc. – this little “details” the neglect of which, can bode confusion. Only… the priest was nowhere to be found. As a matter of fact, at the time the funeral was to begin, there was not a living soul in the church. (and no other as well…) About a half an hour after the “starting time” of the funeral, a few folks started to wander in. Finally about 45 min. later, I got to talk to the priest for a bit. Nobody seemed in the least concerned that the funeral started over an hour later. Oh Well. When you are thinking of eternity, what’s the hurry?

Anyway…a lot of what we do in serving our communities is rather unglamorous. I suppose that all of us would like to be performing in flashy concerts or conducting world-famous choirs or… you fill in the blank. However, the thought for today is: let’s render unto others the gift of our music as we would render to Christ. As St. Mother Theresa said: “do little things with great love.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 20, 2020

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About Dr. Gregory Hamilton

Dr. Gregory Hamilton is a composer and performer currently on the faculty of Holy Trinity Seminary in Dallas TX.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“Always remember: God opposes the proud.” (leaning into the microphone) “…even when they’re right!”

— ‘Scott Hahn, speaking in Plano, TX’

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