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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Agincourt” • Do You Know This Hymn?

Jeff Ostrowski · December 17, 2019

VERY ORGANIST AND CHOIRMASTER at one point or another has fallen in love with the English hymn tune “Agincourt” (a.k.a. “Deo Gracias”). It was featured in Henry V, a 1944 movie by Sir Laurence Olivier. The Brébeuf harmonies for this piece remind me why I love this book so much—a truly masterful SATB harmonization: original, fresh, yet within reach. I especially love how the Bass Line walks in stepwise motion…sometimes a whole octave!  If you follow the link below (#536) and click “Bass,” you can see what I mean.

The Tenor line is quite challenging to sing correctly:

Important Notice:

You can hear individual voice tracks if you visit the Brébeuf website; scroll to #536.

HEN I WAS AT THE CONSERVATORY, I had to memorize difficult works by Chopin, Mozart, Bach, Prokofiev, Schumann, and others. Yet, I was nothing compared to some of the students there. Indeed, I would not have dared attempt certain pieces, such as Liszt’s Feux Follets, or Chopin’s Op. 26 No. 6 Etude. Often, I would discuss interpretations with the other students. One girl from China—I can’t recall her name, but she was excellent—had studied with Ruth Slenczynska. I was discussing certain ideas I had about Chopin’s Ballade in Ab Major, and I insisted my interpretation was the correct one. Then she made a comment that haunts me to this day: “Jeff, having ideas is one thing; executing them is something else.”

On the one hand, it is good to have dreams and aspirations. On the other hand, we must face reality. AGINCOURT is a good example. A choirmaster quickly learns this is not an easy piece to sing well with a congregation. Therefore, it must be approached with caution. We may desire to do this piece. We may desire it greatly. Yet, we must never fail to ask: “How did it sound? Did it work?”  By the way, here’s how AGINCOURT looked in the 1936 “English Hymnal,” edited by Ralph Vaughan Williams (d. 1958), a student of Maurice Ravel (d. 1937):

80574 AGINCOURT HYMN (1906)


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

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“The scholar who lives only for his subject is but the fragment of a man; he lives in a shadow-world, mistaking means for ends.”

— Msgr. Ronald Knox (1888-1957)

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