Views from the Choir Loft

Brébeuf Harmony Edition • “Splendid Beyond Words”

Jeff Ostrowski · April 9, 2019

UR DIVINE MASTER, Jesus Christ, said: “A woman in labor hath sorrow, because her hour is come; but the child being born, she remembers no more the anguish…” Nobody has been more eager for the Brébeuf Harmony Edition to appear than me; and I’ve been waiting five long years. But I was told today it is supposed to be available for purchase very soon—that is to say, within a few days.

Folks, I have seen a copy: IT. IS. FABULOUS.

I sat down at the organ and could not stop playing through it. I just couldn’t stop! I played through each hymn, singing all the verses to myself. The harmonizations are phenomenal. Since 2013, I’ve looked at probably 20,000 pages of hymn harmonizations—but I’ve never seen anything like the Brébeuf harmonies. They are simple, yet elegant. More importantly, they are within the range of singers! To be honest, there were some tunes I wasn’t 100% convinced of before; but when I hear them with the Brébeuf harmonies, I am blown away…and now I would die for these melodies. Yes, folks, they are that epic.

AS SOMEONE WHO CONTRIBUTED SEVERAL ORIGINAL HARMONIES TO THIS BOOK, I WILL BE NOTIFIED THE INSTANT IT BECOMES AVAILABLE FOR PURCHASE. AND I WILL LET YOU KNOW IMMEDIATELY.

Here is a sample:

* * PDF Download • Unauthorized Preview

There is a harmony for every single hymn! …and the Brébeuf Hymnal is 932 pages!

The harmony edition doesn’t make any sense without the Pew Hymnal. It is complementary. However, you will be hearing a lot more about this—and you will love it. It was designed to work with parishes; it is “practical” to a fault. More later.

84999-Brebeuf-Accompaniment-C

84999-Brebeuf-Accompaniment-B

84999-Brebeuf-Accompaniment-A

I’m told they still need a few proofreaders to look over 1-2 sections one final time. If you’re interested, send an email to: liturgical.institute@gmail.com.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

“Music List” • 19th in Ordinary Time (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.

—Jeff Ostrowski

This Sunday’s Communion Antiphon

This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.

—Jeff Ostrowski

Using “Ye” Vs. “You” Correctly

Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)