Views from the Choir Loft

Brébeuf Harmony Edition • “Splendid Beyond Words”

Jeff Ostrowski · April 9, 2019

UR DIVINE MASTER, Jesus Christ, said: “A woman in labor hath sorrow, because her hour is come; but the child being born, she remembers no more the anguish…” Nobody has been more eager for the Brébeuf Harmony Edition to appear than me; and I’ve been waiting five long years. But I was told today it is supposed to be available for purchase very soon—that is to say, within a few days.

Folks, I have seen a copy: IT. IS. FABULOUS.

I sat down at the organ and could not stop playing through it. I just couldn’t stop! I played through each hymn, singing all the verses to myself. The harmonizations are phenomenal. Since 2013, I’ve looked at probably 20,000 pages of hymn harmonizations—but I’ve never seen anything like the Brébeuf harmonies. They are simple, yet elegant. More importantly, they are within the range of singers! To be honest, there were some tunes I wasn’t 100% convinced of before; but when I hear them with the Brébeuf harmonies, I am blown away…and now I would die for these melodies. Yes, folks, they are that epic.

AS SOMEONE WHO CONTRIBUTED SEVERAL ORIGINAL HARMONIES TO THIS BOOK, I WILL BE NOTIFIED THE INSTANT IT BECOMES AVAILABLE FOR PURCHASE. AND I WILL LET YOU KNOW IMMEDIATELY.

Here is a sample:

* * PDF Download • Unauthorized Preview

There is a harmony for every single hymn! …and the Brébeuf Hymnal is 932 pages!

The harmony edition doesn’t make any sense without the Pew Hymnal. It is complementary. However, you will be hearing a lot more about this—and you will love it. It was designed to work with parishes; it is “practical” to a fault. More later.

84999-Brebeuf-Accompaniment-C

84999-Brebeuf-Accompaniment-B

84999-Brebeuf-Accompaniment-A

I’m told they still need a few proofreaders to look over 1-2 sections one final time. If you’re interested, send an email to: liturgical.institute@gmail.com.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Liturgical Round (“Canon”) in C-Major

Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.

—Jeff Ostrowski

Latin Liturgy Association

We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”

—Corpus Christi Watershed

“Music List” • 28th in Ordinary Time (Year C)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski