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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Offensive Music in Germany • Ash Wednesday (2019)

Jeff Ostrowski · March 13, 2019

HE FOLLOWING VIDEO has been making the rounds. You’ll surely see it sooner or later, so you might as well be prepared. (I find it pretty shocking—and, trust me, I’ve seen a lot of bad stuff.) This took place in the Basilica of St. Kunibert, and the celebrant was Cardinal Woelki, Archbishop of Cologne. For the record, I have no idea why she keeps spitting into that bullhorn during Mass. Gregory DiPippo, editor of the blog for the Church Music Association of America (CMAA), wrote: Shame on them for profaning the Holy Sacrifice of the Mass with that disgusting non-music.

To me, the “sacred music” chosen seems bizarre and disrespectful.

What do you think?

Cf. nn 85172

*  Direct Download • 22.4MB
—Download this video file directly from GloriaTV.

You can view it on YouTube.

It also seems to have been uploaded as a file directly to YouTube.

Make no mistake about it: this Mass did happen—you can see for yourself. It is not a YouTube prank. They will probably remove the video, so here’s proof this is not fake.

MANY HAVE BEEN asking things like: “Why is that woman clapping in Church? Why is she hissing on Ash Wednesday? Why is she spitting into a bullhorn during Mass?” …and so forth. For myself, I have some different questions. Why is there no choir? What was found so unacceptable about truly great music (Palestrina, Morales, etc.) that this music was chosen instead? Listening to the video, can we really pretend that compositions by composers such as Marenzio are “too esoteric” to be understood by modern man? I can tell you that my choir members here in Los Angeles love the traditional music—and they sing it very well. Their favorite is Father Tomás Luis de Victoria. The Soprano in that video clearly has a fantastic voice; why does she not use her voice to train a choir?

I don’t know anything about Cardinal Woelki, but several who do know him have written to say he must have been tricked into doing this. Sadly, bishops are often unaware of what they’re walking into.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: March 1, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Some of our younger parish clergy read their sermons. This should not be done except for some very special reason. The priest who is not capable of preparing and delivering a brief, clear instruction on Catholic teaching to his people is not fit to be in parish work. The people as a rule do not want to listen to a sermon reader.”

— Archbishop of Baltimore (9 July 1929)

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