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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for January 2019

Jeff Ostrowski · January 28, 2019

When Hymn Names Don’t Match

I submit to you that calling the same tune by multiple names in the same hymnal is unacceptable.

Fr. David Friel · January 27, 2019

Formed in Beauty Lectures

Videos have been posted from the 2017 & 2018 conferences of the Catholic Art Guild

Guest Author · January 26, 2019

New! • Organ Scholarships at Christendom College

Christendom College will offer up to $5,000 for students starting in the Fall of 2019.

Richard J. Clark · January 25, 2019

Just Released! • 2019 Pastoral Letter on Sacred Music (Archbishop Sample)

“Every pastor and music director has a serious responsibility to read and become familiar with the ‘Constitution on the Sacred Liturgy…” —Archbishop Sample

Jeff Ostrowski · January 22, 2019

PDF Download • “Chant Service Book” (208 pages)

An extremely rare book from 1941, containing all your favorite Gregorian chants!

Fr. David Friel · January 20, 2019

Music Leads Us to Heaven

Franz Schubert’s famous art song, “An die Musik”

Jeff Ostrowski · January 19, 2019

2nd Sunday after Epiphany • Saint Vitus Parish (LA)

“New evidence of wondrous pow’r | Behold in Cana’s marriage-dow’r; | Swift its own nature to resign, | The water blushes into wine.” —Msgr. Knox

Andrew Leung · January 17, 2019

Trappist Monks in Hong Kong Chanting

Monks in Hong Kong chanting parts of the Missa “Cum Jubilo”…

Jeff Ostrowski · January 16, 2019

Bishop Barron Vs. Hymn by Marty Haugen (2018)

“Heaven is not light-years away; that’s a silly way to think about it.” —Most Rev’d Robert Barron

Jeff Ostrowski · January 14, 2019

“Church Music Manifesto” (2019)

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

Fr. David Friel · January 13, 2019

Two February Workshops

A Symposium in Chicago and the Winter Pastoral Chant Conference in Indiana

Richard J. Clark · January 11, 2019

New England Catholic Choral Festival & Mass • 2019

It’s never just about the music. It’s about formation and transformation.

Jeff Ostrowski · January 8, 2019

“How To Use The Brébeuf Hymnal” (Video)

Yay! Short tutorial videos eradicate confusion!

Jeff Ostrowski · January 3, 2019

“Missa de Angelis” • But in Iroquoian! (1865)

Many people don’t realize that gorgeous plainsong books were printed in the 19th century…but they were not in Latin.

Jeff Ostrowski · January 2, 2019

“Mister Eye” • Do You Mind Him?

What do you think of “eye rhymes” in hymnody?

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

But the revisers did not leave them altogether untouched. Saint Ambrose had to be “corrected.” The ‘Iste Confessor’ was greatly altered and the hymn for the Dedication of a Church (which no one ought to have touched) was completely recast in a new meter.

— Father Joseph Connelly

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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