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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Hymn Texts by Fr. Christopher Phillips

Jeff Ostrowski · November 13, 2018

URING THE WATERGATE hearings, Patrick J. Buchanan was publicly questioned for hours about his private memos to President Nixon. (The committee made public what was supposed to have remained private.) I hope nothing like that ever happens vis-à-vis internal communications for the Brébeuf hymnal, because conversations sometimes got heated—and various members ended up adopting positions 180° from where they started out. Many people submitted hymn texts and tunes for publication to our committee. Some were rejected: but we appreciate everyone’s generosity!

The following text, by Fr. Christopher Phillips, was accepted for publication:


We have already begun creating rehearsal videos for the Brébeuf hymnal.

ATHER CHRISTOPHER PHILLIPS is a Catholic priest. In the 1980s, he founded Our Lady of the Atonement (San Antonio), a member of the Anglican Ordinariate. That is a very successful and famous parish. Fr. Phillips submitted several fine hymn texts which will appear in the Brébeuf hymnal, and maintains a very active blog.

The following was taken from Facebook:

MY MORNING WITH A SAINT

Fr. Christopher George Phillips

87115 Fr. Christopher George Phillips IT WAS IN NOVEMBER of 1983 that I was in Rome, taking part in the meetings which would result in the Book of Divine Worship, which serves as the foundation of the Anglican Use liturgy in the Catholic Church. It was my first time in Rome. I had been ordained as a Catholic priest only a few months before. They were rather heady days for a young priest, walking each morning from the Casa del Clero to the Vatican offices where we were working.

On my first morning in Rome, I needed to find an altar where I could say Mass. There was a concelebrated Mass at the Casa, but I was ready for an adventure, so I headed on foot to St. Peter’s Basilica. I knew I needed to get there early, and I knew I should head immediately to the sacristy. Beyond that, I was completely ignorant about making arrangements for celebrating Mass there. Arriving in the sacristy, and after being overwhelmed by my walk through the basilica, I was fortunate that the man at the desk was patient (and by Vatican standards, even somewhat merciful). He directed me to the vesting area, summoned an altar boy for me, and before long I was following the young server down the long corridor out into the basilica. In my mind I can still hear the murmur of Masses being said at altar after altar, some with small congregations, others with a solitary priest. Eventually I was taken to one of the many side altars, and I began the celebration of the Mass, my first in Rome. It was strangely comforting to hear the low hum of the other Masses proceeding, as I made my way through the liturgy. Everything seemed to be at a concentrated level as I began the Eucharistic prayer. At the consecration of the Host, when I genuflected, my eyes happened to catch the inscription on the front of the altar: S. Gregorius Magnus. It was overwhelming for me as I continued with the Mass, knowing that I was celebrating Holy Mass at the tomb of Pope St. Gregory, who had sent St. Augustine to England.

After Mass, as I made my way out of the basilica, reality returned with the work at hand. All of us serving on the special commission spent a brief time getting to know one another, and the discussions began. Although I threw myself into the work, and felt the excitement of participating in something historic, the recurring thought came to me that I would very much like to attend the upcoming Wednesday general audience with the Pope. It was a few days before that when I began to drop subtle hints, but the work was keeping us very busy. One of the kindly bishops also serving in the group knew what I was thinking, and he spoke to me during one of our breaks. He expressed his regret that our work would keep me occupied during the Wednesday audience, and then he said something which seemed rather mysterious. “On Thursday morning, if you will be in the Piazza San Pietro just to the right of the obelisk at 5:00 a.m., there will be a surprise for you,” he said.

I couldn’t imagine what he meant, but I was there by 4:00 a.m. because I could hardly sleep with the anticipation of this mystifying appointment I was keeping. It was still dark as I was saying the rosary, with the moon hanging over St. Peter’s Basilica, and when 5:00 a.m. came, I caught sight of a sliver of artificial light coming from an opening door off to my right. Being summoned to the open door by a guard, a most wonderful pilgrimage began at the bottom of a long flight of stairs. I still was unaware of what was waiting for me—perhaps a glimpse of some great art treasure, I thought, or maybe a private visit to the basilica—whatever it was to be, it was still a mystery to me. We reached a landing on the staircase, and entered an elevator. The elevator went up a few floors and then stopped. When we exited, we were asked to turn to the right and go down another corridor. After walking several yards, I happened to glance to my left through some open doors. The mystery was solved.

There in front of me was the Holy Father’s private chapel. A familiar white-cassocked figure was kneeling before the altar, and the realization of where I was nearly took my breath away. After being escorted into the sacristy, I was told to vest for Mass. My mind was in a blur as I put on the vestments, and when I was ready I was taken to my place in the papal chapel, which was at a kneeler right next to the Holy Father himself. There were only a few of us there—the Sisters who served in the papal household, a couple of priests, and a bishop. We spent a good deal of time in silent prayer before the Mass began, and at first I was distracted by the thought that I was kneeling immediately next to the Vicar of Christ. Soon, however, the Holy Spirit took over and I found that I was able to enter deeply into prayer. From time to time a deep sigh would come from the Holy Father, and I was reminded of St. Paul’s words to the Romans, when he wrote about “sighs too deep for words.”

87114 Fr. Christopher George Phillips After nearly a half-hour of prayer, it was time for the Mass to begin. The Pope’s vestments had been laid on the altar, and after he was vested we began the liturgy. I remained at my place during the Liturgy of the Word, but after the altar was prepared at the Offertory, I joined the Holy Father at the altar. At the time of Holy Communion, he held the paten from which I received a portion of the Host, and when he had received from the chalice he passed it to me. Certainly every time we receive Holy Communion it is a special encounter with God, but I must say that it was a unique experience for me to receive the Body and Blood of Christ while standing next to the Vicar of Christ, having concelebrated with him in his own chapel.

At the conclusion of the Mass, we spent a good amount of time in thanksgiving. It was once again my privilege to kneel next to the Holy Father for this, and I had much for which to be thankful—but there would be more. Having been escorted to a reception room, there was now the opportunity to speak briefly with the Pope. When I was presented to him, he took my hands in his, and then made what could only be described as an extraordinary statement. “I know you,” he said to me. The puzzled look on my face, and my faltering question, “How, Holy Father…?” prompted him to continue. He went on to describe how my dossier had been given to him. Because mine was the first case of a married former Episcopal priest to be considered for the position of being the canonical pastor of a parish (rather than simply a parish administrator or chaplain) it was decided that such approval should be reserved to the Pope himself, rather than simply being processed through the Congregation of the Doctrine of the Faith as others were.

With my eyes widening, Pope John Paul II described to me how my dossier was placed on his desk. He then told me how he had some uncertainty about approving a married man as an actual pastor, so he placed the dossier in his desk drawer. He then got it out again, only to put it back in the drawer. “Finally,” he said, “I once more put it on my desk, and I prayed, and the Holy Spirit told me to say yes.” Surely that must count as the most astonishing thing I had ever heard, that the Vicar of Christ was having a conversation about me with the Holy Spirit, Who then directed him to give his approval for my ordination and appointment as pastor of Our Lady of the Atonement Church. If I hadn’t heard the story from the lips of the Pope himself, I would never have believed such a thing. When I regained my voice, I asked the Holy Father if I could take his blessing back to my family and to the people of the parish. He threw his arms around me and drew me close while he said, “With all of my heart, I bless you and your people!” And what a blessing that has been throughout the years.

After all this, it is hardly possible to imagine there would be more, but there was yet another “once in a life-time” experience that morning. The Pope called upon one of the priests in his household to take me to “the chapel.” This confused me, because we had just come from his private chapel; however, I dutifully followed the priest, and we went off in a completely different direction down a long corridor, until we came to a large set of doors. He unlocked them and directed me in, saying to me, “Take as long as you like. I’ll wait for you out here.” He then shut the doors and left me alone without telling me where I was. It took a moment for my eyes to adjust to the dim light, and as I looked around me I immediately knew where I was standing—it was in the Sistine Chapel.

The unexpected experience of being in a place so famous was, for a moment, disorienting. To look up at the magnificent ceiling (even though it was before the restoration), and to be able to explore the chapel all by myself, thinking about the papal elections which had taken place there, was overwhelming. I spent quite a bit of time taking it all in, offering thanks to God for such a blessed experience, and then I remembered the priest outside the door, patiently waiting for me. He helped me find my way back to the stairs which I had climbed earlier that morning, and when I went through the doors leading into Piazza San Pietro, it was filled with the usual bustle of a day in Rome. It was all I could do to stop myself from rushing up to the first person I saw and asking him to guess where I’d just been! Instead, I headed across the Piazza to the office where we were working on the Book of Divine Worship, and I continued on the project which was the reason for my being there.

But I have to say, it had been quite a morning.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

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  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)

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