Views from the Choir Loft

Archives for November 2018

Jeff Ostrowski · November 28, 2018

PDF • “Ecclesia Dei” Responses (14 November 2018)

Several questions deal with music at the Traditional Latin Mass (“Extraordinary Form”).

Dr. Lucas Tappan · November 27, 2018

Millennials and Authenticity

But what do we mean by authenticity?

Jeff Ostrowski · November 25, 2018

First Sunday of Advent at Saint Vitus Parish (LA)

“May we receive Thy mercy, O Lord, in the midst of Thy temple, that with due reverence we may prepare for the coming festival of our redemption.”

Jeff Ostrowski · November 24, 2018

The Only Hymn Father Fortescue Ever Wrote

…including a “Sneak Peek” at the Brébeuf Hymnal.

Richard J. Clark · November 23, 2018

Musicians in Collaborative Parishes • Sharing Best Practices

There is no shortage of challenge in pastoral ministry. This is an understatement of a lifetime!

Fr. David Friel · November 18, 2018

Portland Publishes an “Archdiocesan Liturgical Handbook”

New publication from Archbishop Sample’s Office of Divine Worship

Jeff Ostrowski · November 15, 2018

PDF Download • Mass Hymns by Fr. Seed, SJ (1906)

How utterly strange to see such items!

Jeff Ostrowski · November 13, 2018

Hymn Texts by Fr. Christopher Phillips

Listen to an original text accepted for publication in the Brébeuf hymnal…

Dr. Lucas Tappan · November 13, 2018

Incredible Advent/Christmas Resource for Families

Download this incredible resource for families who wish to live the liturgical life more deeply with the home.

Dr. Lucas Tappan · November 7, 2018

Chorister Catechesis

Be mindful of the immense power that you as a choir director having in orienting your choristers toward Heaven.

Jeff Ostrowski · November 6, 2018

PDF Download • “Pope Pius XII Hymnal” (1959)

Were you shocked to see the Pius XII Hymnal assigning vernacular hymns to different parts of the Mass?

Jeff Ostrowski · November 6, 2018

“Last” Sunday after Pentecost (Extraordinary Form)

“Sir, didst thou not sow good seed in thy field? whence then hath it cockle?” And he said to them, “An enemy hath done this.”

Fr. David Friel · November 4, 2018

Fulton Sheen on the Priesthood of the Baptized

A Lesson from a Retreat for the Priests of Gary, IN

Pipe Organ “Answers” in Plainsong?

In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.

—Jeff Ostrowski

Music List • (5th Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

Music List • (Holy Thursday, 2026)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

“Gregorian Chant Quiz” • 24 March 2026

How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

PDF Download • “Holy, Holy, Holy”

For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.

—Jeff Ostrowski

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto