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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Impressions from Sacred Music Colloquium 2018

Dr. Lucas Tappan · July 3, 2018

88369 BISHOP PERRY N CATHOLIC CIRCLES we often joke that not even God Himself knows how much money the Jesuits really have, the truth of which I witnessed on parade at the beautiful Loyal University waterfront campus in Chicago, host for the CMAA’s 2018 Sacred Music Colloquium last week. I thought today I would share with readers some of my impressions of the wonderful events that took place.

Holiness and Friendship: Saints tend to come in batches, one friend encouraging another, which I found no less true for those I met at the Colloquium. Men and women, priests and religious from all backgrounds and walks of life (my roommate was a priest from Nigeria!), arrived in Chicago, but all were animated by the common goal of Heaven. All were striving for holiness, a witness so important for the world today. Pope Benedict once mentioned that Beauty, especially in the lives of the saints would convert the world, and I was both edified and encouraged by the desire for holiness I saw in so many at the colloquium. This naturally resulted in the deepening of old friendships and the creation of new, lasting friendships built on and in Christ—friendships that will endure.

Beauty and Transcendence: If the Holy Eucharist truly is the source and summit of our Catholic Faith and if all we do as Christians and as musicians comes from and returns to the God the Father, through Christ and in the Holy Spirit in the Sacred Liturgy, then our worship of almighty God is of primary and paramount importance, and so it follows that how we pray affects how we believe, and how we believe affects how we act. The beauty and solemnity in the way the priests celebrated the Holy Masses and the Divine Office spoke not only to a hermeneutic of continuity with all the Church has taught and professed throughout Her 2000 year history, but also spoke to what they themselves believed about God. I found this both inspiring and challenging.

As an aside, it always strikes me that the more we try to make the Mass understandable, the more we try to bring it down to the level of “common humanity,” the harder time I have remembering that Christ is all holy and all powerful and that He loves me with a love so  deep that He willingly endured His Passion and Death in order to open the gates of Heaven to me. The beauty and transcendence of the Sacred Liturgies at the Colloquium reminded me of just how all powerful Christ is and how much He must have loved mankind to willingly step down from His thrown, so to speak, and do what He did. When Christ is presented and worshipped as if He were a mix between Ralph Nader and Maya Angelou (I think these are Peter Kreeft’s words) prayer becomes difficult for me, but the Masses and Divine Office of the Colloquium truly flooded my soul with peace, and yet challenged me to confront my sinfulness and open myself to God’s healing and Almighty Hand.

Awe for the Workers in God’s Vineyard: I was truly edified by those who work so hard in the field of Sacred Music. I met men and women who chose to attend the Colloquium because they wanted to learn how to make this music in order to transform their parishes and they realized the task fell to them alone to make that happen. I was also surprised and edified by the number of young men and women who are entering the field of Sacred Music professionally and who desire to be supremely competent in their craft. As we know, there is often a false dichotomy presented in the Church today between the professional musician and the faithful disciple, and many participants I met were living proof that professional competency and discipleship are both possible and necessary.

Hope: I realize there is a lot of confusion in the Church today, most of it self-inflicted, and while it is easy to become discouraged, don’t despair. I see so many reasons to hope for the future. At the same time, the musicians I met realized that this hope must be grounded in a healthy acknowledgment that the survival and ultimate flourishing of the Faith in the western world is by no means assured, only possible if we continue to pray and work and spend our lives in the service of God’s Holy Will. There is a healthy dose of very potent leaven in the world today, but it is up to us to kneed the dough and and bring to fruition the bread that God desires. Of course, this is only possible if we are grounded deeply in prayer, especially in the prayer of the Sacred Liturgy.

Fun: I confess wholeheartedly to being a musical geek and that the most fun I had at the Colloquium was on the last day when a number of folks had already left and the choirs needed extra male singers to fill the choral ranks. Mass was celebrated in the Extraordinary Form for the Commemoration of St. Paul and the choirs sang Palestrina’s Missa Aeteran Christi munera. I had never sung this Mass before, which meant sight-singing with no chance of a “do-over.” Scott Turkington joined the choir to my left and Peter Carter of St. John the Baptist Latin Mass Community joined to my right and the sound was glorious! I could have done that all day.

If you have never been I strongly encourage you to do so—you won’t regret it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Chasuble, or upper garment, represents the purple garment which the soldiers put upon Jesus Christ, and the heavy cross that He carried on His blessed shoulders to Mount Calvary.”

— Guide for the Laity (1875)

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