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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Review • Fr. White’s Tools for Rebuilding

Dr. Lucas Tappan · February 13, 2018

LMT Tools for Rebuilding RECENTLY finished reading Tools for Rebuilding, a well known book in U.S Catholic leadership circles written by Fr. Michael White, pastor of the Church of the Nativity in North Baltimore, and his assistant, Tom Corcoran. If you are unfamiliar with this work, it is the sequel to the book Rebuilt by the same authors, detailing the re invigoration of the Church of the Nativity over the course of Fr. White’s tenure. The parish’s story is well known among bishops, priests, directors of religious education, youth ministers and others who seek to spread the Gospel in an increasingly secularized society. The entire Rebuilt movement is spreading through workshops given across the county and via social media.

To be fair, I find much in the book worthy of reflection. Both Fr. White and Mr. Corcoran possess and promote a lively and orthodox Faith, which they refer to as “dynamic orthodoxy.” They took a failing parish and turned it around, tackling issues that many pastors and parish leaders might find overwhelming (they fixed their altar server problem by giving the ministry to high school boys).

Many of the book’s 75 Tools (each is a chapter) embody common sense strategies for creating any healthy organization, and to be honest, parishes can learn a lot from them. Fr. White challenges his parishioners’ consumer mentalities. He welcomes newcomers, asks the newly arrived to get involved and challenges those involved to go deep into their faith.

Interestingly, he acknowledges the Eucharist to be the source and summit of the Church, channeling most of the parish’s energy into making the “weekend experience” the best the it possibly can, but here I feel his model runs out of steam. The Mass cannot be reduced to a “weekend experience.” This mentality focuses on the people being the primary end of worship as opposed to the Triune God. One finds this none too subtle ideology in the book’s focus on clean bathrooms over beautiful vestments, or “relevant” music (read pop music) over the Church’s music. This is really sad because it sets two objectively good things in opposition to each other instead of making them work side by side, another silliness of the modern age. Why shouldn’t a parish have beautiful vestments AND clean restrooms? Why can’t there be relevant music that is ALSO truly beautiful? Why can’t we worship God, build up the faithful AND welcome the newcomer (or the fallen away Catholic)? Why can’t we celebrate the Sacred Liturgy worthily AND build Christian fellowship?

I am truly edified by Fr. White’s work, but I do hope that his regard for the church growth movement doesn’t negate the Sacramental and supernatural nature of the Church. We need to present the Church in ALL of Her fullness.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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