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Views from the Choir Loft

Holy Purity & Anger

Jeff Ostrowski · December 6, 2017

JUST RECEIVED a call from the owner of a vehicle store who cursed at me, yelled at me, and then hung up. My only offense was doing business with him in the past. I chose not to respond to his evil words with anger. I simply said, “If that’s the way you wish to conduct yourself, so be it.” Someday, this foolish and dishonest bully will be forced to answer before God for his actions.

Jesus loved His enemies, who did Him great harm. Jesus wants me to love this bully. I must confess that I don’t have that love yet—but hopefully someday I will.

Musicians tend to be sensitive people.

Very few musicians (in my experience) are foolish and dishonest like that bully.

But musicians doing the Lord’s work are often subjected to bad treatment. And because musicians tend to be sensitive, a bully can wreck our whole day. When someone acts inappropriately, our minds keep dwelling on the imbecilic behavior. It echoes in our brains, and we ask: “How could this person think it appropriate to act like that?”

Let me share something that can help:

When we were young, our seminarians and priests taught us about “captivity of the eyes.” This means that whenever you see something that can cause temptation against the holy virtue of purity, you avert your eyes. Moreover, when thoughts against the sixth commandment come into the brain, you learn to block them out.

When a foolish bully tries to ruin my day, I apply the same rules.

When his foolish voice and curse words pop into my head, I do not allow myself to think about them. It’s difficult, but that’s the only way I know how to deal with this nonsense. 1

I hope you will email me, letting me know how you deal with injustice and bad behavior.



NOTES FROM THIS ARTICLE:

1   It can also help to recall examples of what the Jesuit martyrs suffered. Or, it can help to laugh—my priest just laughs when people act evil toward him.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Proof Which All Can Immediately See!
    “A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, its attackers often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. But if only they would glance at a copy of the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.
    —Jeff Ostrowski
    New Bulletin Article • “8 June 2025”
    My pastor requested that I write short articles each week for the parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article includes a few anecdotes about Archbishop Fulton J. Sheen and Abraham Lincoln.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

An Indult of the “Commission for Russia” (25 November 1929) authorizes Bishops and Administrators Apostolic in Russia to permit the celebration of Mass and the reception of Holy Communion in the afternoon or evening, on condition that a Eucharistic fast of four hours from noon be observed.

— Sacred Congregation of Rites, 25 nov 1929

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.