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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Vox Antiqua’s Debut

Andrew Leung · November 9, 2017

AST WEEK, I shared about my new project. On the Feast of Christ the King, which according to the 1962 Missale Romanum is the last Sunday in October, Vox Antiqua made its debut. Works by Baroque Venitian composer, Antonio Lotti, were sung at the Missa Cantata. We sang Lotti’s setting of Ecce Panis Angelorum during communion and here is a live recording of us:



We also sang his Mass in Bb, written for three equal voices, and his motet Sanctus Dominus. I have put together a video with highlights from these two pieces.



YES! Both of these recordings were recorded LIVE! Please pardon us for the “not so good” quality. And yes, you can hear the cry of the babies (which, by the way, is always a good sign because they are the future of the Church), the sound of the thurible and the priest saying his prayers.

One of the things I like about the Traditional Latin Mass in Hong Kong is that the congregation usually takes part in the singing pretty actively. On a normal Sunday, the Ordinaries are sung antiphonally between the schola cantorum and the faithful; hymns in Latin are also sung during the offertory and communion. Aside from singing Lotti’s pieces at our choral Mass, Vox Antiqua also helped lead the faithful in singing some liturgical chants, as well as three other hymns: Christus Vincit by Kunc, Lauda Sion by Caudana and the Pontifical Anthem O Felix Roma by Gounod at the end of the Mass.

Please pray for our new choir as we continue to serve God and the Church with music. Right now, there is a wedding, another Mass in the Extraordinary Form and a choral workshop on our agenda for the upcoming two months. You can follow and support us on our Facebook page.

Soli Deo Gloria!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Vox Antiqua Andrew Leung Last Updated: October 15, 2022

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

“The chapter secretary is authorized to write a letter beseeching a royal pardon for Caspar de Cuevas, cathedral sackbut player, who is imprisoned on a murder charge.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (23 March 1566)

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