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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Arvo Pärt received the Ratzinger Prize

Andrew Leung · November 23, 2017

CTL Arvo Part Ratzinger Award 1 FEW WEEKS AGO, I had the opportunity to sing in a concert under Peter Philips’ direction. In that program was three pieces by the Estonian composer, Arvo Pärt. I sang his music (Berliner Messe) for the first time when I was a freshmen in college and it was very nice to be able to sing in his unique “Tintinnabuli“, or bell-like, style again after so many years (we did Magnificat, Nunc Dimittis and Tintinnabuli).

Arvo Pärt is one of the winners of this year’s Ratzinger Prize, which is often regarded as the Nobel Prize in the field of theology. The Ratzinger Foundation awards was created in 2011 to recognize the work of academics in theology, whether they are Catholic or not. Before this award, Pärt also received a honorary doctorate in sacred music by the Pontifical Institute of Sacred Music and was nominated by Benedict XVI, member of the Pontifical Council for Culture.

Pärt is an Orthodox and one of the most-recognized composers in the area of sacred music. He is a very spiritual person and has great love for the liturgy, just like Pope Benedict. I shared a video of him earlier this year and it shows that Pärt is very deeply rooted in the faith. He and the other award winners were received by Pope Emeritus Benedict XVI himself on November 17; and the prize was presented to him by Pope Francis at the Apostolic Palace on the following day.

Cardinal Gianfranco Ravasi, president of the Pontifical Council for Culture and a member of the Ratzinger Foundation said this about Arvo Pärt at a press conference:

“He is the greatest living contemporary musician, with an immense and extraordinarily high production, able to combine the great legacy of the past, including Gregorian chant, with today’s new musical grammar. A beautiful choice, that of the commission, aimed at pointing out that new way for theology that is music”


Photo credit: Arvo Pärt Centre

Pärt said in his vote of thanks later that evening:

“I am personally very touched and grateful – especially to you, the members of the Joseph Ratzinger or Pope Benedict XVI Foundation – for this trust and honor. However, it is not an easy task to remain worthy of this honor as a human being. It is a great challenge. We are not dealing here with an ordinary merit that one could use to boast.

Dear brothers, we need your help, please don’t leave us alone now. This is what we plead from you.”

And here is a work by Pärt, Cecilia, Vergine Romana performed at the Concert in honor of the Holy Father in 2011.


Happy belated Feast Day!!! St. Cecilia, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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President’s Corner

    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski
    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“Of course, the new [Easter Vigil] liturgy has greatly streamlined the symbology. But the exaggerated simplification has removed elements that used to have quite a hold on the mindset of the faithful. […] Is this Easter Vigil liturgy definitive?”

— Paul VI to Virgilio Noè (10 April 1971)

Recent Posts

  • PDF • “Liturgical Law” (467 Pages)
  • Gregorian Chant … with Organ Accompaniment?
  • Responsorial Psalm Fauxbourdon?
  • Music List • (Easter Sunday, 2026)
  • PDF Download • “Sprinkling Rite”

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