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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Music and Evangelization

Dr. Lucas Tappan · November 13, 2017

LMT FOCUS FEEL BLESSED to belong to the Archdiocese of Kansas City (KS) where our shepherd, Archbishop Joseph Naumann takes his role with joyful seriousness. Over the past few years evangelization has been at the forefront of his activities, working to to cultivate in the faithful a love for proclaiming the Good News to a world desperately in need of that News. I have personally benefited from a number of these initiatives, especially the work of the Apostles of the Interior Life, who provide untold hours of spiritual direction, and the Little Brothers and Sisters of the Lamb, who provide for the materially poor not only with food, but with a beauty (Beauty) more satisfying than any earthly fare. As a matter of fact, His Excellency has more than once made the point that Beauty is an essential starting point for evangelization.

Nevertheless, I feel that the faithful in general (clergy or lay) have yet to discovere the deep connection between the Church’s Sacred worship and beauty and Her mission to evangelize—they don’t understand that the Sacred Liturgy provides the fuel for the Church’s evanglization efforts through the “right and just” worship of God, while at the same time forming the evangelizers themselves into the men and women God has called them to be. Too often there is a false dichotomy between those drawn to Beauty and those drawn to the outward efforts of evangelization (in much the same way that a false dichotomy has always existed between the contemplative and actives apostolates), which is why I was so excited to read Leah Sedlacek’s September 17th article for the Adoremus Bulletin entitled FOCUS on Beauty: the Liturgical Heart of Missionary Zeal.

Sedlacek’s article follows the story of how FOCUS (Fellowship of Catholic University Students), arguably the largest and most effect group of Catholic missionaries on both secular and Catholic universities in the US today, has begun to bridge that gap through a renewed emphasis on beauty, especially within the Sacred Liturgy. FOCUS, with the help of Illuminare Publications and Adam Barlett, has been transitioning from a “singing at Mass” approach to a “singing THE Mass” approach to liturgical music and it is having a profound impact on the millennial students they work with (this doesn’t mean that they no longer use Praise and Worship, only that they don’t use it as a cheap substitute for what is authentic). The authoress, who heads FOCUS’s worship team, writes:

We continue to take steps to follow more closely the vision and principles proposed by the Church. And we hope to equip our missionaries and staff with a deep liturgical formation and with resources to help them encounter the beauty of Jesus Christ in the liturgy, who is the source of all our efforts to evangelize on college campuses and in parishes.

It is an incredibly refreshing and dare I say beautiful movement within the Church today, one that I feel could be of invaluable help to those places making the transition to a more authentic celebration of the Church’s sacred worship.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might be confused as to why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally (!) instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. However, my understanding is that the French kept doing it long after it had been explicitly forbidden.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)
  • Summer 2026 • “Gregorian Chant Course” at Aquinas College (Nashville, TN)

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