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Views from the Choir Loft

Vox Antiqua’s Debut

Andrew Leung · November 9, 2017

AST WEEK, I shared about my new project. On the Feast of Christ the King, which according to the 1962 Missale Romanum is the last Sunday in October, Vox Antiqua made its debut. Works by Baroque Venitian composer, Antonio Lotti, were sung at the Missa Cantata. We sang Lotti’s setting of Ecce Panis Angelorum during communion and here is a live recording of us:



We also sang his Mass in Bb, written for three equal voices, and his motet Sanctus Dominus. I have put together a video with highlights from these two pieces.



YES! Both of these recordings were recorded LIVE! Please pardon us for the “not so good” quality. And yes, you can hear the cry of the babies (which, by the way, is always a good sign because they are the future of the Church), the sound of the thurible and the priest saying his prayers.

One of the things I like about the Traditional Latin Mass in Hong Kong is that the congregation usually takes part in the singing pretty actively. On a normal Sunday, the Ordinaries are sung antiphonally between the schola cantorum and the faithful; hymns in Latin are also sung during the offertory and communion. Aside from singing Lotti’s pieces at our choral Mass, Vox Antiqua also helped lead the faithful in singing some liturgical chants, as well as three other hymns: Christus Vincit by Kunc, Lauda Sion by Caudana and the Pontifical Anthem O Felix Roma by Gounod at the end of the Mass.

Please pray for our new choir as we continue to serve God and the Church with music. Right now, there is a wedding, another Mass in the Extraordinary Form and a choral workshop on our agenda for the upcoming two months. You can follow and support us on our Facebook page.

Soli Deo Gloria!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Vox Antiqua Andrew Leung Last Updated: October 15, 2022

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Dom Vitry never claimed chant could not be used successfully with English words. No one need take my word for it. He was a pioneer on the matter of vernacular adaptation, and I need only refer you to the many publications of his own “Fides Jubilans” press. What he said was that adaptation involved some mutilation, and that we were faced with one or the other.

— Monsignor Francis P. Schmitt (1963)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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