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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archbishop Sheen Played The Organ!

Jeff Ostrowski · November 6, 2017

197 Fulton J Sheen R. LUCAS TAPPAN once asked: “Do you invite young children at church push down a few keys on the organ when you’re finished or do you just close up shop? Do you pull out the trumpet stop and tell him to press down the lowest pedal note and hold it? Do you tell him to try out the swell pedal and watch as the shades open and close?” He was talking about how we can generate interest in organ playing.

I thought of that when I learned 1 (today!) that Archbishop Fulton J. Sheen could play the organ:

At Fritz Kreisler’s suggestion, Sheen had taken organ lessons. His first teacher was famed swing organist Ethel Smith. Fulton acknowledged her prowess on the instrument but said that her instructional ability was weak. He then turned to a young friend, Yolanda Tomaiuoli, who was dating a cousin. She was an accomplished musician who would go on to earn a doctorate in music at Columbia University. Tomaiuoli said later that Fulton “could play some” but that “his musical talents were limited.”

In the late 1950s and early 1960s, Sheen played an electric Hammond on the main floor of his building for personal enjoyment, occasionally displaying his skill to friends. Indeed, the Cahill family, invited to Sheen’s apartment for dinner, recalls dancing in his front room while the bishop played “April in Paris” on his electric organ.

In one of his talks, Archbishop Sheen made reference to “an organ here in my office”—and now, twenty years later, I understand.

Here are two articles about Sheen and Sacred music you might enjoy:

    * *  Archbishop Fulton J. Sheen On Gregorian Chant

    * *  Archbishop Sheen on Liturgy & Plainchant Choirs

The latter contains several interesting quotes, such as:

After the consecration [Sheen’s installation Mass in Rochester], Sheen told Ferris that he wanted a classical repertoire at the cathedral, including Gregorian chant. “This was unusual,” Ferris said later, “for all sorts of freaky things were being done in churches at this time.”



NOTES FROM THIS ARTICLE:

1   Paragraph taken from Thomas C. Reeves, America’s Bishop: The Life and Times of Fulton J. Sheen (New York: Encounter Books, 2002). Sources: Yolanda Holliger interview, 19 April 2000; Vincent Cahill interview; Joan Cunningham interview, 2 April 2000.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The revision of the liturgical books must carefully attend to the provision of rubrics also for the people’s parts.”

— The Second Vatican Council (SC §31)

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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