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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Silver Jubilee

Dr. Lucas Tappan · October 3, 2017

“Pleasure and action make the hours seem short.” William Shakespeare

LMT Lucas in Prayer ESTERDAY MARKED A MILESTONE of sorts—the 25th anniversary of the first time I played the organ for Holy Mass—Friday, October 2, 1992. I remember because it was the Feast of the Guardian Angels and I played a hymn related to the day, although for the life of me I couldn’t now tell you what it was. Here I am 25 years later thanking God for the life of the church musician, along with its joys and vicissitudes. It is wonderful now to look back and realize with what love God prepared me for this avocation, from being born into a devout Catholic family with a deep musical heritage to beings surrounded by pastors, teachers and wonderful friends along the way who have guided and mentored. Of course none of this would now be possible without my wife Katie, who takes the helm and navigates the family ship every Sunday morning while I busy myself with any myriad of things musical and liturgical.

Many things have changed over the last quarter of a century in the field of church music and thankfully most of them have been for the better. I distinctly remember my 8th grade year in school when I found my mother’s missal from her youth, which happened to contain a short Kyriale at the end in modern notation. She and my aunt recorded the Agnus Dei from Mass XVIII on a cassette and I listened to it and memorized it, enraptured with its beauty and thinking it was the most sublime thing I had ever heard (it would be years before I discovered the Kyrie from Mass IX). None of the young people then seemed to care about it or for it, but how different things are today. Young people, parents, priests, religious and the un-churched alike are touched by the beauty of the rich treasury of sacred music, one of the greatest gifts the Church has bequeathed to western civilization.

In many ways I feel blessed because I don’t have to work, I simply get paid to do what I love and the time has truly flown. Yesterday I went to Mass early in the morning at the local to give thanks for such a gift and I found myself repeating the words of Psalm 150… “O praise God in His holiness… Praise Him for His noble acts… Let everything that hath breath praise the Lord!”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Although the Mass contains much instruction for the faithful, it has nevertheless not seemed expedient to the fathers that it be celebrated everywhere in the vernacular. The holy synod commands pastors and everyone who has the care of souls to explain frequently during the celebration of the Masses, either themselves or through others, some of the things that are read in the Mass, and among other things to expound some mystery of this most Holy Sacrifice, especially on Sundays and feastdays.”

— ‘Council of Trent, XII:8 (1562)’

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  • PDF Download • “Anima Christi”

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