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Views from the Choir Loft

How Much Latin Do You Need?

Veronica Brandt · September 23, 2017

Odda's Chapel Inscription ATIN HAS A REPUTATION as a mark of a highly learned student. The language can seem like a bit of a barrier, even though much of our own language is derived from Latin. In a liturgical setting there are usually translations available, or the texts are well known, so a complete grasp of the ins and outs of the language are not essential, but what are the most valuable things to learn?

I took a copy of the text of the 2002 Missale Romanum and found the 20 most common words along with how many times each occurs.

  • 7523 et – and
  • 4754 in – in or sometimes on
  • 2867 ad – to
  • 2484 per – for
  • 2224 ut – that
  • 1781 qui – who
  • 1627 de – of
  • 1531 Dómine – Lord
  • 1331 Deus – God
  • 1228 pro – for
  • 1211 Christum – Christ
  • 1114 cum – with
  • 1015 Dóminum – Lord
  • 1011 communionem – Communion
  • 974 vel – or
  • 955 super – over
  • 931 est – is
  • 907 ant – abbreviation for Antiphon
  • 828 N – stands in for the name of someone, eg. Pope N.
  • 799 nos – us

These twenty words count for 20% of the total text! That’s one fifth of the Missal. And “n” isn’t even a word, so you only have 19 words left to learn already.

“Domine” and “Dominum” both mean “Lord” – the endings indicate different grammatical clues, but you can work your way up to those nuances later.

I bet you could guess that “Christum” means “Christ” – if you add in Christo, Christus, Christi and Christe then you have covered even more of the Missal.

I hope that gives you a start – or provides a list you can pass on to a friend who may need some encouragement.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Victoria not only made his professional debut as church organist: he also continued active on the organ bench until the very eve of his death. Indeed, during his last seven years at Madrid (1604-1611) he occupied no other musical post but that of convent organist.”

— Dr. Robert Stevenson (1961)

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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