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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Beatus Vir Editions” Announces New Publication

Guest Author · September 1, 2017

4524 • BEATUS VIR EDITIONS WE HAVE RECEIVED word from BEATUS VIR EDITIONS of a new publication with fresh contemporary settings by Roman Catholic composer Royce Nickel.

Press release by BEATUS VIR EDITIONS:

UBLISHED IN HONOR of Saint Therese of Lisieux, this comprehensive collection contains settings of the Lectionary Chants for every Sunday in the Roman calendar, the principal solemnities and feasts, and for various sacred rites, including weddings, funerals, and confirmation. There is a Vocalist’s Edition and an Organist’s Edition, each including the complete cycle of psalm and alleluia settings. The Psalm Responses and Alleluias are set in a simple yet beautiful modal style: melodic simplicity guarantees ease of use for cantor and congregation, while the modal style evokes the beauty of the sacred. For the Alleluias, seven different melodies are provided, changing in the course of the Church year to mark the seasons. The verses to be sung by cantor or choir employ the traditional Gregorian psalm tones. Whereas the psalm settings use the simpler Office tones, the Gospel Acclamation verses feature the more ornate Mass tones, the greater solemnity of style heralding the reading of the Gospel, the high point of the Liturgy of the Word. The Organist’s Edition conveniently presents the Responsorial Psalm and the Gospel Acclamation for each feast on facing pages, avoiding the need for page turns. An appendix provides a scriptural index of the psalm settings for purposes of liturgical planning.

A sample page (Psalm and Alleluia) can be downloaded:

    * *  Sample page courtesy of BEATUS VIR EDITIONS

We are grateful for this notification by BEATUS VIR EDITIONS and hope that other publishing companies will continue to contact us with new offerings so we can help spread the word.

The book is being sold through Lulu publishing:

    * *  Lulu.com • Organ Edition

    * *  Lulu.com • Vocalist Edition

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“The authority of the Pope is not unlimited. It is at the service of Sacred Tradition. Still less is any kind of general ‘freedom’ of manufacture, degenerating into spontaneous improvisation, compatible with the essence of faith and liturgy. The greatness of the liturgy depends—we shall have to repeat this frequently—on its lack of spontaneity.”

— Josef Cardinal Ratzinger (2000)

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