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Views from the Choir Loft

Report • Summer Sacred Music Workshop 2017

Andrew Leung · August 25, 2017

MEANT TO SHARE THIS a few weeks ago, but I have been very busy until now. The Summer Sacred Music Workshop III, organized by the Southeastern Sacred Music, was held on July 21 and 22 at St. Brigid Parish in Johns Creek, Georgia. This year, about 65 musicians participated in the 2-days workshop. The attendees were instructed on singing Gregorian chant and sacred polyphonies. There were breakout sessions on various topics like: “What’s a proper?”, “Spanish Chant resources”, “Transition from piano to organ” and “Strategies for implementing sacred music in your parish”. These topics are very practical for the church musicians in the southeastern region, which is heavily influenced by the protestant culture and have a large Hispanic population. Participants also had the opportunities to take private organ and voice lessons with some of the faculty members.

    * *  Mp3 • Live Recording of Alleluia Eripe me

The annual workshop concluded with a Mass in the Ordinary Form of the Roman Rite. Above is a recording of the Alleluia sung by the women’s schola under the direction of Bridget Scott. The rest of the Propers and Ordinaries were also chanted, some in English and some in Latin, and the choir also sang choral works by Senfl and Schubert. And here are some pictures:

CTL Georgia Workshop 6 CTL Georgia Workshop 5 CTL Georgia Workshop 4 CTL Georgia Workshop 3 CTL Georgia Workshop 2 CTL Georgia Workshop 1

CTL Workshop 2018 ET EXCITED! The Summer Sacred Music Workshop is coming to North Carolina next summer! The fourth annual workshop of Southeastern Sacred Music will be held on Friday, July 27th and Saturday, July 28th, and will be hosted by the Cathedral of St. Patrick in Charlotte, North Carolina. With the blessing of Bishop Peter J. Jugis and the support of Rector and Pastor, Fr. Christopher Roux, the Cathedral Director of Music, Dr. Gianfranco DeLuca, has graciously stepped forward to act as host for this annual event. Stay tuned!

Since the first workshop, hundreds of musicians have been benefited from this event. The early stage of planning for next year’s workshop has already begun. Please start praying for the planning team and for another great success.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“A father cannot introduce mistrust and division among his faithful children. He cannot humiliate some by setting them against others. He cannot ostracize some of his priests. The peace and unity that the Church claims to offer to the world must first be lived within the Church. ”

— Cardinal Sarah (14 August 2021)

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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