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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Report • Summer Sacred Music Workshop 2017

Andrew Leung · August 25, 2017

MEANT TO SHARE THIS a few weeks ago, but I have been very busy until now. The Summer Sacred Music Workshop III, organized by the Southeastern Sacred Music, was held on July 21 and 22 at St. Brigid Parish in Johns Creek, Georgia. This year, about 65 musicians participated in the 2-days workshop. The attendees were instructed on singing Gregorian chant and sacred polyphonies. There were breakout sessions on various topics like: “What’s a proper?”, “Spanish Chant resources”, “Transition from piano to organ” and “Strategies for implementing sacred music in your parish”. These topics are very practical for the church musicians in the southeastern region, which is heavily influenced by the protestant culture and have a large Hispanic population. Participants also had the opportunities to take private organ and voice lessons with some of the faculty members.

    * *  Mp3 • Live Recording of Alleluia Eripe me

The annual workshop concluded with a Mass in the Ordinary Form of the Roman Rite. Above is a recording of the Alleluia sung by the women’s schola under the direction of Bridget Scott. The rest of the Propers and Ordinaries were also chanted, some in English and some in Latin, and the choir also sang choral works by Senfl and Schubert. And here are some pictures:

CTL Georgia Workshop 6 CTL Georgia Workshop 5 CTL Georgia Workshop 4 CTL Georgia Workshop 3 CTL Georgia Workshop 2 CTL Georgia Workshop 1

CTL Workshop 2018 ET EXCITED! The Summer Sacred Music Workshop is coming to North Carolina next summer! The fourth annual workshop of Southeastern Sacred Music will be held on Friday, July 27th and Saturday, July 28th, and will be hosted by the Cathedral of St. Patrick in Charlotte, North Carolina. With the blessing of Bishop Peter J. Jugis and the support of Rector and Pastor, Fr. Christopher Roux, the Cathedral Director of Music, Dr. Gianfranco DeLuca, has graciously stepped forward to act as host for this annual event. Stay tuned!

Since the first workshop, hundreds of musicians have been benefited from this event. The early stage of planning for next year’s workshop has already begun. Please start praying for the planning team and for another great success.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Contradictions place us at the foot of the Cross, and the Cross places us at the gates of Heaven.” (Saint John Mary Vianney)

— Cardinal Merry del Val’s Prayer-Book

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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