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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Resources • Feast of the Transfiguration

Jeff Ostrowski · August 2, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles.


PROCESSIONAL

Organist.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Sung by the men.

PDF Score (Singer)   •   Practice Audio (Singer)

As always, these files are available on St. René Goupil.


KYRIE ELEISON

We are singing #5294 (KYRIE “Iste Sanctus” by Guerrero)

For the time being, we are using an abbreviated Solfège score.


GLORIA IN EXCELSIS

Plainsong Gloria IX from the Campion Hymnals, accompanied by the organist score.

Begin learning #5612.


GRADUAL & ALLELUIA

We are currently using Mode IV for these:
Feast of the Transfiguration

Eventually, we might learn this version—but that decision will come later.


CREDO IV   •   Alternatim

We often sing this version: #3445.   But sometimes we sing in unison.

Begin learning #5984 by Machaut.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

Organist will play.


SANCTUS & HOSANNA

For now we are singing Sanctus from Mass XIII.

The complete “Kyriale” (Ordinarium Missae) can be found at St. Antoine Daniel.

We desire to revert to #3496 paired with #2999.


AGNUS DEI

We will sing #7554.


COMMUNION FIRST

Organist.


COMMUNION POLYPHONY

More will be said about this piece…


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from the “color” markings posted on Saint Goupil, printed with a color printer.


RECESSIONAL HYMN   •   #865 All Ye Who Would The Christ Descry

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

First Station: Jesus is Condemned to Death

Archbishop Fulton J. Sheen

We adore Thee, O Christ, and we praise Thee,
Because by Thy Holy Cross Thou hast redeemed the world.

Pilate, the time-serving politician, stepped forward on his sunlit portico. On his right stood Christ, the Just One who came to give His life for the redemption of many; on his left stood Barabbas, the wicked one, who had incited a revolt and taken a life. Pilate asked the mob to choose between the two: “Whether you will that I release unto you, Christ, or Barabbas”?

How would I have answered that question, had I been in the courtyard that Good Friday morning? I cannot escape answering by saying that the question belongs only to the past, for it is as actual now as ever. My conscience is the tribunal of Pilate. Daily, hourly, and every minute of the day, Christ comes before that tribunal, as virtue, honesty and purity. Barabbas comes as vice, dishonesty and uncleanness. As often as I choose to speak the uncharitable word, do the dishonest action, or consent to the evil thought, I say in so many words, “Release unto me, Barabbas,” and to choose Barabbas means to crucify Christ.

Pray for us, O Holy Mother of God,
That we may be made worthy of the promises of Christ.

O Jesus, many times in my life I have preferred Barabbas to Thee. There is no way that I can undo that choice, but to make my way to Thy feet, and beg Thy forgiveness. But that is so humiliating, for Thou wearest the garment of a fool, and Thou bearest in Thy hand the reed sceptre of a mock king. It is so hard to do penance and admit that I am guilty! It is so hard to be seen with Thee, who art wearing Thy crown of thorns. It is hard! But let me see, Jesus, that it is harder to wear the crown of thorns!


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    What does this mean? “Pre-Urbanite”
    One of the things informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal has to do with its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski
    Pope Leo XIV on Sacred Music
    On 5 December 2025, Pope Leo XIV made this declaration with regard to liturgical music.
    —Corpus Christi Watershed

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

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