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Views from the Choir Loft

Musical Resources • 11th Sunday after Pentecost 1

Jeff Ostrowski · August 18, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles.

Bring your family to the High Mass (SAINT VICTOR, 8634 Holloway Dr, West Hollywood, CA 90069) at 7:00pm every Sunday.


PROCESSIONAL

Organist.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Ladies sing on 2nd & 4th Sunday of the month, men on all others.

PDF Score (Singer)   •   Practice Audio (Singer)

As always, these files are available on St. René Goupil.

Ladies should begin practicing the Introit for the 12th Sunday after Pentecost (“Deus in adjutorium meum intende”) which can be found at St. René Goupil.


KYRIE ELEISON

We are singing #5294 (KYRIE “Iste Sanctus” by Guerrero)

Parts 1 + 2 are here with Solfège added. We hope to add Part 3 this Sunday.


GLORIA IN EXCELSIS

Plainsong Gloria IX from the Campion Hymnals, accompanied by the organist score.

Begin learning #5612.


GRADUAL & ALLELUIA

We are currently using Mode IV for these:
11th Sunday after Pentecost

Eventually, we might learn this version—but that decision will come later.


CREDO IV   •   Alternatim

We may sing #5984 by Machaut.

We also sometimes sing this version: #3445.   But sometimes we sing in unison.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

Organist will play.


SANCTUS & HOSANNA

We will sing #3496 paired with #2999.

Sometimes we sing Sanctus from Mass XIII. The complete “Kyriale” (Ordinarium Missae) can be found at St. Antoine Daniel.


AGNUS DEI

We will sing #7554.

Before long we will begin work on a setting by Giovanni Gabrieli.


COMMUNION FIRST

Organist.


COMMUNION POLYPHONY

We will sing #4736.


COMMUNION ANTIPHON

This will be sung by chosen soloists.


RECESSIONAL HYMN   •   #861 To Christ, The Prince Of Peace

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

First Station: Jesus is Condemned to Death

Archbishop Fulton J. Sheen

We adore Thee, O Christ, and we praise Thee,
Because by Thy Holy Cross Thou hast redeemed the world.

Pilate, the time-serving politician, stepped forward on his sunlit portico. On his right stood Christ, the Just One who came to give His life for the redemption of many; on his left stood Barabbas, the wicked one, who had incited a revolt and taken a life. Pilate asked the mob to choose between the two: “Whether you will that I release unto you, Christ, or Barabbas”?

How would I have answered that question, had I been in the courtyard that Good Friday morning? I cannot escape answering by saying that the question belongs only to the past, for it is as actual now as ever. My conscience is the tribunal of Pilate. Daily, hourly, and every minute of the day, Christ comes before that tribunal, as virtue, honesty and purity. Barabbas comes as vice, dishonesty and uncleanness. As often as I choose to speak the uncharitable word, do the dishonest action, or consent to the evil thought, I say in so many words, “Release unto me, Barabbas,” and to choose Barabbas means to crucify Christ.

Pray for us, O Holy Mother of God,
That we may be made worthy of the promises of Christ.

O Jesus, many times in my life I have preferred Barabbas to Thee. There is no way that I can undo that choice, but to make my way to Thy feet, and beg Thy forgiveness. But that is so humiliating, for Thou wearest the garment of a fool, and Thou bearest in Thy hand the reed sceptre of a mock king. It is so hard to do penance and admit that I am guilty! It is so hard to be seen with Thee, who art wearing Thy crown of thorns. It is hard! But let me see, Jesus, that it is harder to wear the crown of thorns!


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

In the place of liturgy as the fruit of development came fabricated liturgy. We abandoned the organic, living process of growth and development over centuries, and replaced it—as in a manufacturing process—with a fabrication, a banal on-the-spot product.

— ‘Pope Benedict XVI, describing the postconciliar liturgical reforms’

Recent Posts

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  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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