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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

In Defense of the “Sistine Screamers”

Andrew Leung · August 1, 2017

CTL In Defense of the Sistine Screamers WO DAYS AGO, Crux posted an article about the Sistine Chapel Choir’s first tour to the USA in 30 years. In the article, the author and Msgr. Massimo Palombella, the current choirmaster, mention about the choir’s old reputation as the “Sistine Screamers” and how the choir has abandoned their old way of singing. As I have mentioned before (here and here), I think that the Sistine Chapel Choir has taken a more British choral approach and their musical quality has improved greatly. However, there are a few things I would like to point out in defense of their old approach.

First of all, allow me to point out that most people nowadays consider the choral sound of the English Cathedrals as the standard and our ears are more used to this sound of the choral approach of British school. But that might not have always been the case. In the old days, it would have been harder for people to compare and exchange ideas about choral singing since there was no internet and the technology wasn’t as developed.

Let us also consider the cultural background of the choir. In the past, most of the singers of the Pope’s choir were Italian and were probably recruited from opera houses. They were all trained in operatic singing and probably considered it the best way, and a very noble way, of singing. Following that logic, that would be how they sing in the Pope’s churches because they wanted to offer the best to God; and the local Catholic faithful influenced by the Italian culture would probably think it is appropriate. (And this is probably why Pope St. Pius X wants to make sure that we keep operas out of the liturgy.)

Finally, one of the reasons they sang in their full and operatic voices was to make sure that their voices can be projected throughout the basilica. St. Peter’s Basilica is the largest church in the world (over 700ft long, 500ft wide with a 448ft-tall dome) and you can imagine the effort it takes to fill the whole church with music without using microphones. They had to sacrifice the quality of the music in order make sure that they can be heard.

I am very glad that the Sistine Chapel Choir has abandoned their old way of singing and is now making angelic music. But let us not condemn their old approach without first understanding the reasons behind it.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “The Worm That Dieth Not”
    My pastor asked me to write a column for our parish bulletin with reflections on the sacred liturgy and church music. In my most recent article, I discuss “The Worm That Dieth Not.” At this website, you can access it conveniently; simply scroll down to the one dated 31 August 2025.
    —Jeff Ostrowski
    A Nice Hymn In Spanish
    In my humble opinion, this is a really beautiful hymn in Spanish. If I practice diligently, I’ll be able to pronounce all the words properly. If you’re someone who’s interested in obtaining a melody only version (suitable for your congregational ORDER OF WORSHIP) you can steal that from this.
    —Jeff Ostrowski
    “Music List” • 21st in Ordinary Time (Year C)
    Our choir returns on Sunday, 24 August 2025. Some have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for it, which is the 21st Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website. When it comes to the feast of the Assumption (15 August 2025), I have uploaded the music list for that Mass—but not the “bi-lingual” Mass in the evening (Spanish, Latin, and English) which has completely different music.
    —Jeff Ostrowski

Quick Thoughts

    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed
    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed

Random Quote

I am convinced that if the Church is to prosper in the present age, it cannot hesitate to embrace and support traditional Catholics, traditional liturgies and traditional moral values. “Do not conform yourself to this age,” St. Paul warned followers of Christ. (Rom 12:2)

— Most Rev. Thomas Tobin, Bishop of Providence (12 August 2022)

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