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Views from the Choir Loft

Summer Sacred Music Workshop 2017

Andrew Leung · June 29, 2017

CTL Summer Sacred Music Workshop 2017 ET EXCITED!!! The third annual Southeastern Summer Sacred Music Workshop is coming up! This year, the 2-day workshop will make its return to the Atlanta area. This is a great opportunity for singers, organists and clergy from the Southeastern United States to experience the traditional music of the Catholic Church.

The Workshop 2017 will be hosted by St. Brigid Catholic Church in beautiful Johns Creek, Georgia, on Friday, July 21, and Saturday, July 22. Johns Creek is a northeastern suburb of Atlanta and it ranked third on the USA TODAY list of “50 best cities to live in”. St. Brigid Parish is the spiritual home of more than 4,000 families and it is also the home of the 37-rank Casavant Frères Opus 3832 organ.

The Southeastern Sacred Music is a chapter of the Church Music Association of America. It serves as a platform for church musicians in the Southeastern region to share resources, thoughts and ideas, and to make connections with each other. The group has also been organizing annual workshops since 2015. Bridget Scott, a founding member of Southeastern Sacred Music, says that she is very excited for the upcoming workshop: “We have folks coming back year after year. I was excited to see names on the registry that also attended the very first workshop.”

As usual, there will be chant groups and polyphony ensembles, in different levels, which the participants may choose to join. There will also be breakout courses on a variety of topics of interest. One of the very special courses this year is the session on Spanish chant offered by Janet Gorbitz. Another interesting session is a presentation on organ improvisation on chant melodies given by Dr. Albert Ahlstrom, who is joining the faculty for the first time. Organists will also have the opportunity to have private lesson with Dr. Ahlstrom, and singers may study with Maria McDaniel Willathgamuwa.

The registration is now opened through July 7. There is a $75 tuition fee which covers the costs of all the materials, dinner on Friday and the luncheon on Saturday. There is a $25 late fee for registrations after July 7. Visit Southeastern Sacred Music’s website to register and for more details and full bios of the faculty members.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. Feel free to download the score, generously made available—free of charge—to the whole world by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“In my opinion, there should be reached the aim that all priests could continue to use the old Missal.”

— ‘Cardinal Ratzinger, Letter to Wolfgang Waldstein (14 December 1976)’

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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