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Views from the Choir Loft

Thoughts on Benedict

Fr. David Friel · June 4, 2017

HE LATEST edition of the liturgy magazine, Altare Dei, has just been released. This is the fourth issue of the growing publication, and it includes many fine articles and musical scores. It also features a new, more attractive format.

The twofold theme of this issue is the 100th anniversary of the Fatima apparitions and the 90th birthday of Pope Emeritus Benedict XVI. Among the excellent articles are the following contributions:

The Mysteries of Fatima (Marco Tosatti)

The Eucharist According to Edward Schillebeeckx (Givanni Cavalcoli)

Why Does the Church’s Liturgy Bore the Faithful So Much (Denis Crouan)

The Substantial Benedict (David Fagerberg)

Traditional Liturgy as Field Hospital (Roberto Spataro)

The Problem of the Sacred (Samuel Nyom)

Breaking Liturgical Bad Habits (Peter Kwasniewski)

“Tradition is Christ, Himself”: An Interview with Cardinal Raymond Leo Burke (Aurelio Porfiri)

My own article in this issue is entitled Thoughts from Benedict, and it draws upon two insights that I gleaned from St. Benedict via the life and writings of Pope Benedict XVI. Reflecting upon a quote about ars celebrandi from Pope Benedict’s 2006 address to the priests of Albano, I observe the following:

Understanding the Church’s worship as a gift that “precedes us” is an essential realization for every priest who celebrates the sacred liturgy. Understood in this way, ministry is less about interjecting personal creativity than it is about facilitating communion with God and with our fellow pilgrims. Entering into the mens and vox of the Church comes to be seen, in this light, as a step toward spiritual freedom and an act of generous humility.

As is true of each issue of Altare Dei, this latest installment features a substantial musical insert. Four pieces are included this month:

Deo Gratias (SATB and Organ) – Colin Mawby

Virgo Clemens (SATB) – Valentino Miserachs

De Maria Numquam Satis SATB – Aurelio Porfiri

O Salutaris Hostia (SA and Organ) – Aurelio Porfiri

Anyone interested in sacred music and the liturgy will find this to be a very interesting issue. It is available here, at the cost of €6.80. Download the latest issue, and see the excellent content and updated format for yourself!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Altare Dei Magazine, Aurelio Porfiri, Pope Benedict XVI, Sheet Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

Recent Posts

  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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