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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for June 2017

Fr. David Friel · June 29, 2017

Strong with God’s Strength 1

Celebrating Saints Peter & Paul

Andrew Leung · June 29, 2017

Summer Sacred Music Workshop 2017

Southeastern Sacred Music (CMAA) presents: Summer Sacred Music Workshop 2017

Jeff Ostrowski · June 28, 2017

Triumph Beyond Belief … Beyond Imagination

I have been reminded why I got into music in the first place.

Fr. David Friel · June 25, 2017

Composition with Pencil & Paper or Computer Software?

A lunch-time conversation at Sacred Music Colloquium 2017 in St. Paul, MN

Richard J. Clark · June 24, 2017

“Do not let anyone make you feel discouraged.”

Made in God’s image? Really? That’s debatable from my all too human eyes. By the way, I’ve got huge planks in both of them.

Jeff Ostrowski · June 21, 2017

Holy Week Bulletin from 1943

Notice when the ceremonies begin!

Jeff Ostrowski · June 19, 2017

Jaw-Dropping Kyrie (SATB) by Guerrero

I recorded all the voice parts, to demonstrate how it sounds…

Fr. David Friel · June 18, 2017

Silence in the Liturgy

Thoughts from Pope Benedict XVI, Msgr. Guido Marini, and the GIRM

Guest Author · June 14, 2017

Wearing the Veil at Ordinary Form Masses?

A guest article by Danielle Duet.

Dr. Lucas Tappan · June 13, 2017

Forming the Next Generation of Church Musicians

Until we start forming our youth in the Church’s treasury of sacred music we will continue contracepting our musical future to death.

Jeff Ostrowski · June 13, 2017

Nothing More Corny Than This

Arturo Benedetti Michelangeli plays Bach’s Toccata and Fugue in d minor…

Jeff Ostrowski · June 12, 2017

First Solemn Mass • Fr. Joseph Favole, FSSP

Capstone to the upcoming Sacred Music Symposium!

Fr. David Friel · June 12, 2017

Liturgical Reflections of a Papal Master of Ceremonies

Essays from Msgr. Guido Marini

Jeff Ostrowski · June 11, 2017

Benedictus has been posted!

Extremely short blog post…

Richard J. Clark · June 9, 2017

I forgot to tell them it’s supposed to be hard.

It never occurred to him that this would be hard, or that he wouldn’t do well. He just thought it would be fun.

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“In accordance with the ancient tradition of the Church, institution to the ministries of reader and acolyte is reserved to men.”

— Pope Saint Paul VI (15 August 1972)

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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