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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Rehearsal Videos • “Sanctus & Hosanna” (Guerrero)

Jeff Ostrowski · May 23, 2017

KNOW A SECRET.  Would you like to hear? Once upon a time, Roman Catholic composers were trained from birth in a special art of musical composition. This situation produced masters whose liturgical works contain unthinkable beauty, waiting for all to enjoy. They would combine plainsong themes in supremely brilliant ways, and I have tried to indicate such places by means of red ink: 1

    * *  PDF • SANCTUS & HOSANNA (“Missa Iste Sanctus”)

For years, I hoped other Catholic websites would promote the gorgeous compositions by such giants as Palestrina, Verdelot, Victoria, Guerrero, Lassus, Marenzio, and others. However, very few do—although they exert tremendous energy complaining about “bad liturgy.” Therefore, I began making rehearsal videos in which I sing all the vocal parts (even the soprano notes!) to help this music live again in our churches:

REHEARSAL VIDEOS for each individual voice await you at #5454.


Many people (inexplicably) do not visit LALEMANT POLYPHONIC, where individual voice parts are located. That’s a huge mistake, because the whole point of these tracks is the individual voice tracks—and we’ve seen marvelous results from their use here in Los Angeles. By the way, those who attend Sacred Music Symposium 2017 will learn how to create these recordings.

Could anyone listen to the Tenor Rehearsal Video (at the “Hosanna” section) and not be overwhelmed by the majestic dignity and holiness of these melodies?

The Benedictus is forthcoming.



NOTES FROM THIS ARTICLE:

1   The red ink refers to the motet which serves as the basis for this parody Mass.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: MISSA ISTE SANCTUS Last Updated: December 21, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is profitable for me that shame hath covered my face so I may seek consolation in Thee rather than in men.” (From the Imitation of Christ by Father Thomas à Kempis)

— Cardinal Merry del Val’s Prayer-Book

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