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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Musicians are called to be Good Shepherds

Andrew Leung · May 11, 2017

CTL Good Shepherd 1 AST SUNDAY was “Good Shepherd Sunday”, for those of us who attended the Ordinary Form of the Roman Rite. And for those who goes to the Traditional Latin Mass, it was celebrated the Sunday before, the 3rd Sunday after Easter. Obviously, Jesus is calling the bishops and the priests to be good shepherds like Himself in the Gospel of John (10:1-18); but I think he is also calling all church musicians to be good shepherds. We, too, are constantly proclaiming, and even in a sense preaching sometimes, the Word of God as we are serving at the liturgy. We should always do our best to assist the principle shepherds, the priests, in a special way by singing the liturgy.

The first step of being a good shepherd is to know the flock: to be interested in them, their needs, their likes and dislikes, their daily life and their ways of communication. It is very important to first establish a relationship with the people we are serving, and not just any relationship, but good and positive relationships. We can only proceed onto serving the flock when we truly know them and understand their needs.

Then, once we know our sheep, we need to offer them the best and dedicating our whole self to serve them. It is very important that we give them what is “the best”, not just “what they want”. This is especially important when we help plan weddings and funerals. We can’t just play or sing what people want, but only what is appropriate for the liturgy. Our goal is to bring people to Christ, the ultimate good shepherd. Sometimes, I would like to think that we are merely the shepherd dogs of our Lord, who carry out His command and help others to follow Him.

Being good shepherds, we must also be prepared to lay down our lives for the sheep, that is to be willing to make sacrifices for them. Most of us don’t get to enjoy the “holiday seasons” like the rest of the world, we probably will be working overtime at the church. Our evenings are going to be occupied by rehearsals and meetings at the parish. And of course, there often are emotional situations around the parish music program. A good shepherd will accept these sacrifices without complain.

A Franciscan friar, also a famous singer who performs around the world, once said to me: “when you sing (especially the high notes), you must take deep breaths, and then allow the Holy Spirit sing through your mouth as the air flow out. Imagine that the Holy Spirit is the air that you are breathing.” Similarly, we must let the Holy Spirit guide us as we make music to glorify God. We are not just performing, singing and playing music in the name of Christ; but we need to allow Christ to touch the hearts of the people through our music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text is often married to AURELIA, as it is in the Brébeuf Hymnal. The lyrics come from the pen of Father Edward Caswall (d. 1878), an Oratorian priest.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The Night Office—Nocturns or Matins—except for Holy Week, Easter Octave, and Christmas, has never appeared in the Vatican edition. The larger part of the mediaeval repertory for the Office thus remains still unpublished in the Vatican edition, and is likely to remain so, for the obvious reason that almost no cathedral chapters or monastic choirs sing the Night Office regularly today.”

— John Merle Boe (1968)

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