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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mesmerizing Credo Setting (SATB) • After Machaut

Jeff Ostrowski · April 3, 2017

HIS YEAR’S Symposium will be spectacular, and the response—from all over the world—has been overwhelming. The musical program, which is close to being finalized, almost seems a direct response to an article I wrote last January entitled True Vs. False Diversity. We have a bewildering variety of styles, and new works by famous composers will be revealed.

The Credo, arranged by Chaumonot, uses 14th-century polyphony by a Catholic priest named Guillaume de Machaut, who died in 1377AD:

    * *  PDF Download • CREDO based on Guillaume de Machaut

Fr. Machaut’s harmonies begin at the 0:28 marker:

REHEARSAL VIDEOS for each individual voice—along with PDF score—await you at #5984. If you like them, please consider donating $5.00 per month.

274 CREDO TWO YOUNG LADIES IN HIGH SCHOOL, Sarah and Jacqueline, generously helped record the rehearsal videos for these 14th-century harmonies. Sing through each individual line (cf. #5984) because the power is revealed “horizontally.” We created the rehearsal videos to help choirmasters, who have such a difficult vocation! Just the other day, I was pondering how many things music directors do behind the scenes that nobody sees. Even staying in contact with the choir members—phone calls, text messages, emails, and so forth—requires much time and energy. It’s truly a “twenty-four seven” job.

The PDF score mentions how Canon Machaut lived during a difficult period of church history. The Avignon papacy and the Western Schism were both longer in duration than I’d realized. The times in which we live are also difficult, especially from the standpoint of certain members of the hierarchy. Last month, for example, I read a scandalous interview with a high-ranking cardinal that can only be described as disgusting and heretical. For myself, I find it comforting to study history and recall how much the Church has withstood.

Good Catholics in those days sought divine assistance, and we must do the same. Moreover, when you examine the 14th-century Credo used for Chaumonot’s edition, you’ll agree they certainly knew how to create beautiful manuscripts in those days!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Our Christian people regard with great joy everything that contributes to the splendor of the ceremonies. Jesus—who was poor in His private life—received ointment on His feet. See Thomas Aquinas (Prima Secundae, q. 102, art. 5, ad 10) and the holy Curé of Ars. The Church has always loved beautiful churches, and so forth. We must preserve our sacred patrimony and make sure sacred objects do not become secular possessions.”

— Abbot & Council Father denouncing “noble simplicity” during Vatican II

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