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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Musical Resources • “Quasimodo Sunday”

Jeff Ostrowski · April 21, 2017

These musical programs are for FSSP.la, the new FSSP Apostolate in Los Angeles.


PROCESSIONAL

Organist.


VIDI AQUAM

PDF Score (Singer)   •   Mp3   •   YouTube   •   Organist


INTROIT   •   Sung by the men.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

We will sing #6995.

We also know a KYRIE with three sections: #3347, #3661, and #7332.


GLORIA IN EXCELSIS

We will sing Viadana #7709 “Falsobordone Gloria.”


GRADUAL & ALLELUIA

We will sing #7503 (an Alleluia by Victoria).

As always, the verses are found in our Goupil Gradual books.


CREDO IV   •   Alternatim

We often sing this version: #3445.   But sometimes we sing in unison.


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY OTHER

Organist will play.


SANCTUS & HOSANNA

Choir members should be learning #6962 and #6926.

We also know #3496.


AGNUS DEI

We will sing #4347 by Du Fay.


COMMUNION FIRST

Organist.


COMMUNION POLYPHONY

We will sing #5909 “ALLELUIA: O Filii Et Filiae.”

If there’s time, we will sing Verbum Supernum (SATB).

You can use #7128 even though the words are different.


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from the “color” markings posted on Saint Goupil, printed with a color printer.


RECESSIONAL HYMN   •   #844 Come, Ye Faithful, Raise The Strain

From the Campion Hymnal.


CHOIR PRAYER (from CAMPION HYMNAL) happens after attendance is taken:

Excerpt from Archbishop Fulton J. Sheen • “Lord Jesus Christ, now I understand, as Thou art placed in the sepulchre, that the law of life is the law of death, that nothing is born but that something dies, and nothing dies but that something lives. Thy life has taught me that unless there is a Cross there will never be an empty tomb; unless there is a crown of thorns there will never be a halo of light; and unless there is a scourged body there will never be a glorified body. Having the joy of Thy resurrection set before me, give me strength to endure the Cross and share in the fellowship of Thy sufferings until that other resurrection day, when in the heavenly Jerusalem, tears shall be wiped away, and Thy love which is God shall reign forever and ever. Amen.”


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Ronald Knox explained why the Modernists do not compose hymns: “Birds of prey have no song.”

— Fr. George William Rutler (2016)

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