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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Intensely Powerful • “Requiem” Production (FSSP)

Jeff Ostrowski · April 7, 2017

By way of the FSSP blog in North America, we received this electrifying news:


From the press release:

Fr. Gerard Saguto, North American FSSP Superior, who also sang on REQUIEM, explains that the daily responsibilities of the priests entail shepherding its flock’s greatest joys and its deepest sorrows: from a marriage in the morning to a funeral in the afternoon. Saint Augustine’s sense of the sacred was a beauty “ever ancient, ever new.” This beautiful work—ancient, yet made anew whenever he and his confreres sing it—serves as a message of hope.

Click this image for all the details:


Excellent polyphonic works by Palestrina and Giovanni Battista Martini (one of Mozart’s teachers) are included along with traditional plainsong:

1. Antiphon Exsultábunt Dómino with Psalm 50
2. Tolling of the Bell
3. Responsory Subveníte Sancti Dei
4. Introit Réquiem ætérnam
5. Kýrie eléison
6. Gradual Réquiem ætérnam
7. Tract Absólve Dómine
8. Sequence Dies iræ
9. Offertory Dómine, Jesu Christe
10. Sanctus
11. Agnus Dei
12. Communion antiphon Lux ætérna
13. Responsory Líbera me
14. Antiphon In paradísum
15. Antiphon Ego sum with the Canticle of Zachary
16. Responsory Qui Lázarum
17. Responsory Dómine quando véneris
18. Responsory Peccántem me
19. Pie Jesu Dómine
20. Réquiem ætérnam

The program notes (SEE ABOVE) say that Fr. Zachary Akers currently serves as music director for the Fraternity in North America, which I did not realize. I’m proud to say he is an old friend of my brother, Mark. Fr. Akers visited our community in October, as these photographs show.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

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  • Important Quote by a Church Musician

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