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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Intensely Powerful • “Requiem” Production (FSSP)

Jeff Ostrowski · April 7, 2017

By way of the FSSP blog in North America, we received this electrifying news:


From the press release:

Fr. Gerard Saguto, North American FSSP Superior, who also sang on REQUIEM, explains that the daily responsibilities of the priests entail shepherding its flock’s greatest joys and its deepest sorrows: from a marriage in the morning to a funeral in the afternoon. Saint Augustine’s sense of the sacred was a beauty “ever ancient, ever new.” This beautiful work—ancient, yet made anew whenever he and his confreres sing it—serves as a message of hope.

Click this image for all the details:


Excellent polyphonic works by Palestrina and Giovanni Battista Martini (one of Mozart’s teachers) are included along with traditional plainsong:

1. Antiphon Exsultábunt Dómino with Psalm 50
2. Tolling of the Bell
3. Responsory Subveníte Sancti Dei
4. Introit Réquiem ætérnam
5. Kýrie eléison
6. Gradual Réquiem ætérnam
7. Tract Absólve Dómine
8. Sequence Dies iræ
9. Offertory Dómine, Jesu Christe
10. Sanctus
11. Agnus Dei
12. Communion antiphon Lux ætérna
13. Responsory Líbera me
14. Antiphon In paradísum
15. Antiphon Ego sum with the Canticle of Zachary
16. Responsory Qui Lázarum
17. Responsory Dómine quando véneris
18. Responsory Peccántem me
19. Pie Jesu Dómine
20. Réquiem ætérnam

The program notes (SEE ABOVE) say that Fr. Zachary Akers currently serves as music director for the Fraternity in North America, which I did not realize. I’m proud to say he is an old friend of my brother, Mark. Fr. Akers visited our community in October, as these photographs show.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“It is the choir that can make the most valuable contribution to the liturgy; it is through the choir that significant numbers of the congregation can make a significant and valuable offering in the community’s act of worship. The choir links directly academic excellence, artistic creation, disciplined attention and self expression in the making of something fitting for the worship of God.”

— Father Daniel Higgins, Choirmaster at Saint Edmund’s College, Ware

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  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes

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